Quote

We gave each other a hug, [Richard Pryor] said how much he admired me, I said how much I admired him, and we started working the next morning, and we hit it off really well, and he taught me how to improvise on camera.

Gene Wilder

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Gene Wilder
Age: 83 †
Born: 1933
Born: June 11
Died: 2016
Died: August 29
Actor
Comedian
Diarist
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Writer
Milwaukee City
Wisconsin
Jerome Silberman
Morning
Admired
Working
Hug
Next
Richard
Wells
Camera
Well
Cameras
Much
Gave
Really
Started
Taught
Improvise

More quotes by Gene Wilder

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To match the shoes with the jacket is fey. To match the shoes with the hat is taste.
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For what we are about to see next, we must enter quietly into the realm of genius!
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Little surprises around every corner, but nothing dangerous.
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Gene Wilder often said that his job as an actor wasn't to make something funny but to make it real.
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Actors fall into this trap if they missed being loved for who they really were and not for what they could do - sing, dance, joke about - then they take that as love.
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When people, especially from France, would ask me to talk about or so they could write about New York Jewish humor, I'd say I don't know anything about New York Jewish humor. I know who Zero Mostel was and I know Mel Brooks, but that's about all I could tell you about New York Jewish humor.
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With Mel [Brooks], only one time and that was later on during Young Frankenstein - never with Zero [Mostel] and never with Mel except I was writing every day, and then Mel would come to the house and read what I'd written. And then he'd say, yeah, yeah, yeah, OK, yeah, OK. But we need a villain or we need whatever it was.
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I'm in complete remission. I'm alive and well.
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I'd like to do a comedy with Emma Thompson. I admire her as an actress so much. I love her. And I didn't know it until recently that her whole career started in comedy.
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I had improvised a lot in classes and at the Actors Studio, but I never did it in front of the camera.
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Dont put the sheep on the table.
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I wanted to do - there was this film called 'Magic' that Anthony Hopkins did. And the director wanted me. The writer wanted me. Joe Levine said no, I don't want any comedians in this.
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I wanted to be an actor. Maybe a comic actor, but an actor. That's what got me into acting was putting on an act, because in life, I wasn't funny and I felt on stage or in the movies, I could do whatever I wanted to. I was free.
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I met Richard Pryor for the first time in Calgary, in Canada. A very quiet, modest meeting.
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I never thought of it as God. I didn't know what to call it. I don't believe in devils, but demons I do because everyone at one time or another has some kind of a demon, even if you call it by another name, that drives them.
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I was miscast in that production [of Mother Courage and Her Children] ... but it was with Anne Bancroft, whose boyfriend at the time was Mel Brooks, and that made my - I can't say my day, it made my life, in a way.
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I want to be an actor, maybe a comic actor but a real actor.
Gene Wilder
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Zero Mostel wasn't afraid of authority in any form, and that's the part that influenced me the most.
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My basic mistake in 'The World's Greatest Lover' was that I made the leading character a neurotic kook and sent him to Hollywood. I should have made him a perfectly normal, sane, ordinary person, and sent him to Hollywood. The audience identifies with the lead character.
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As they say in Corsica... Goodbye!
Gene Wilder