Quote

I put out my hand to shake hands with Zero Mostel, and he took my hand [and] he pulled me up to his face, and he gave me a kiss on the lips. And all my nervousness went out the window.

Gene Wilder

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Gene Wilder
Age: 83 †
Born: 1933
Born: June 11
Died: 2016
Died: August 29
Actor
Comedian
Diarist
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Writer
Milwaukee City
Wisconsin
Jerome Silberman
Went
Shakes
Hand
Zero
Face
Kiss
Faces
Kissing
Hands
Lips
Window
Nervousness
Gave
Shake
Took
Pulled

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I wanted to be an actor. Maybe a comic actor, but an actor. That's what got me into acting was putting on an act, because in life, I wasn't funny and I felt on stage or in the movies, I could do whatever I wanted to. I was free.
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As they say in Corsica... Goodbye!
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I'd like to do a comedy with Emma Thompson. I admire her as an actress so much. I love her. And I didn't know it until recently that her whole career started in comedy.
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I was so afraid to feel free to enjoy my own life if my mother was sick and suffering everyday of her's. I didn't think I had the right.
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I want to be an actor, maybe a comic actor but a real actor.
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I'm in complete remission. I'm alive and well.
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Gene Wilder often said that his job as an actor wasn't to make something funny but to make it real.
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I had improvised a lot in classes and at the Actors Studio, but I never did it in front of the camera.
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If the physical thing you're doing is funny, you don't have to act funny while doing it...Just be real and it will be funnier
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To match the shoes with the jacket is fey. To match the shoes with the hat is taste.
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With Mel [Brooks], only one time and that was later on during Young Frankenstein - never with Zero [Mostel] and never with Mel except I was writing every day, and then Mel would come to the house and read what I'd written. And then he'd say, yeah, yeah, yeah, OK, yeah, OK. But we need a villain or we need whatever it was.
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Great art direction is NOT the same thing as great film direction!
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On screen, Gene Wilder could often be summed up as an accident waiting to happen, that frizzy, flyaway hair, the eyes darting this way and that and then something would set him off, Zero Mostel, say, in the movie that made Wilder a star, The Producers.
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My basic mistake in 'The World's Greatest Lover' was that I made the leading character a neurotic kook and sent him to Hollywood. I should have made him a perfectly normal, sane, ordinary person, and sent him to Hollywood. The audience identifies with the lead character.
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I write funny. If I can make my wife laugh, I know I'm on the right track. But yes, I don't like to get Maudlin. And I have a tendency towards it.
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When you please your mother by doing something, it gives you confidence that you can please other people.
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Zero Mostel wasn't afraid of authority in any form, and that's the part that influenced me the most.
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So my idea of neurotic is spending too much time trying to correct a wrong. When I feel that I'm doing that, then I snap out of it.
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[Gilda Radner] died in '89, and I got non-Hodgkin's lymphoma in 2000. I've just passed the five-year mark and I'm now what you call - well, it's called complete remission, but I'm cured. I'm fine.
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Where is fancy bred, in the heart or in the head?
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