Quote

So my idea of neurotic is spending too much time trying to correct a wrong. When I feel that I'm doing that, then I snap out of it.

Gene Wilder

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Gene Wilder
Age: 83 †
Born: 1933
Born: June 11
Died: 2016
Died: August 29
Actor
Comedian
Diarist
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Writer
Milwaukee City
Wisconsin
Jerome Silberman
Ideas
Feel
Snap
Feels
Snaps
Trying
Neurotic
Much
Correct
Time
Spending
Wrong
Idea

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Dont put the sheep on the table.
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I wanted to do - there was this film called 'Magic' that Anthony Hopkins did. And the director wanted me. The writer wanted me. Joe Levine said no, I don't want any comedians in this.
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I met Richard Pryor for the first time in Calgary, in Canada. A very quiet, modest meeting.
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Actors fall into this trap if they missed being loved for who they really were and not for what they could do - sing, dance, joke about - then they take that as love.
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I write funny. If I can make my wife laugh, I know I'm on the right track. But yes, I don't like to get Maudlin. And I have a tendency towards it.
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My favorite author is Anton Chekhov, not so much for the plays but for his short stories, and I think he was really my tutor.
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A lot of comic actors derive their main force from childish behavior. Most great comics are doing such silly things you'd say, 'That's what a child would do.
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I'm in complete remission. I'm alive and well.
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[Gilda Radner] died in '89, and I got non-Hodgkin's lymphoma in 2000. I've just passed the five-year mark and I'm now what you call - well, it's called complete remission, but I'm cured. I'm fine.
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Little surprises around every corner, but nothing dangerous.
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I certainly didn't have New York Jewish humor. But I was in three Mel Brooks films so people thought I was a connoisseur of New York Jewish humor.
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If you're not gonna tell the truth, then why start talking?
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When people, especially from France, would ask me to talk about or so they could write about New York Jewish humor, I'd say I don't know anything about New York Jewish humor. I know who Zero Mostel was and I know Mel Brooks, but that's about all I could tell you about New York Jewish humor.
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I had improvised a lot in classes and at the Actors Studio, but I never did it in front of the camera.
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I want to be an actor, maybe a comic actor but a real actor.
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In fact, [Gene Wilder] had made a hysteric seem considerably less funny in his film debut as a terrified undertaker in Bonnie And Clyde. And neurotics soon became his stock-in-trade, whether he was playing the weird title character in Willy Wonka And The Chocolate Factory...
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I'd like to do a comedy with Emma Thompson. I admire her as an actress so much. I love her. And I didn't know it until recently that her whole career started in comedy.
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[ Zero Mostel] would tell anyone anything, not to be impolite, but he'd show that he wasn't at all afraid of however much money that person [had] or whatever title they had in a company. It didn't scare him. Mel [Brooks] was very much the same way.
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I put out my hand to shake hands with Zero Mostel, and he took my hand [and] he pulled me up to his face, and he gave me a kiss on the lips. And all my nervousness went out the window.
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On screen, Gene Wilder could often be summed up as an accident waiting to happen, that frizzy, flyaway hair, the eyes darting this way and that and then something would set him off, Zero Mostel, say, in the movie that made Wilder a star, The Producers.
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