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I never thought of it as God. I didn't know what to call it. I don't believe in devils, but demons I do because everyone at one time or another has some kind of a demon, even if you call it by another name, that drives them.

Gene Wilder

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Gene Wilder
Age: 83 †
Born: 1933
Born: June 11
Died: 2016
Died: August 29
Actor
Comedian
Diarist
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Writer
Milwaukee City
Wisconsin
Jerome Silberman
Time
Everyone
Devils
Another
Demons
Didn
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Even
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More quotes by Gene Wilder

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On stage or in the movies I could do whatever I wanted to. I was free.
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We gave each other a hug, [Richard Pryor] said how much he admired me, I said how much I admired him, and we started working the next morning, and we hit it off really well, and he taught me how to improvise on camera.
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To match the shoes with the jacket is fey. To match the shoes with the hat is taste.
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I put out my hand to shake hands with Zero Mostel, and he took my hand [and] he pulled me up to his face, and he gave me a kiss on the lips. And all my nervousness went out the window.
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I met Mel [Brooks] backstage in Anne's [Bancroft] dressing room. He was wearing one of those pea coats, pea jackets that were made famous by the Merchant Marines, and I admired it and he said, You know, they used to call this a urine jacket, but it didn't sell.
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In fact, [Gene Wilder] had made a hysteric seem considerably less funny in his film debut as a terrified undertaker in Bonnie And Clyde. And neurotics soon became his stock-in-trade, whether he was playing the weird title character in Willy Wonka And The Chocolate Factory...
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I'd like to do a comedy with Emma Thompson. I admire her as an actress so much. I love her. And I didn't know it until recently that her whole career started in comedy.
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Gene Wilder often said that his job as an actor wasn't to make something funny but to make it real.
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A lot of comic actors derive their main force from childish behavior. Most great comics are doing such silly things you'd say, 'That's what a child would do.
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I was miscast in that production [of Mother Courage and Her Children] ... but it was with Anne Bancroft, whose boyfriend at the time was Mel Brooks, and that made my - I can't say my day, it made my life, in a way.
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Zero Mostel wasn't afraid of authority in any form, and that's the part that influenced me the most.
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On screen, Gene Wilder could often be summed up as an accident waiting to happen, that frizzy, flyaway hair, the eyes darting this way and that and then something would set him off, Zero Mostel, say, in the movie that made Wilder a star, The Producers.
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My agent at the time, Mike Medavoy, before he became a movie mogul, called me up and said, how about a movie with you and Peter Boyle and Marty Feldman? And I said, well, what makes you think of that? He said because I now handle you and Peter Marty.
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I want to be an actor, maybe a comic actor but a real actor.
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Where is fancy bred, in the heart or in the head?
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I wanted to do - there was this film called 'Magic' that Anthony Hopkins did. And the director wanted me. The writer wanted me. Joe Levine said no, I don't want any comedians in this.
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My basic mistake in 'The World's Greatest Lover' was that I made the leading character a neurotic kook and sent him to Hollywood. I should have made him a perfectly normal, sane, ordinary person, and sent him to Hollywood. The audience identifies with the lead character.
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I was so afraid to feel free to enjoy my own life if my mother was sick and suffering everyday of her's. I didn't think I had the right.
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I write funny. If I can make my wife laugh, I know I'm on the right track. But yes, I don't like to get Maudlin. And I have a tendency towards it.
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Great art direction is NOT the same thing as great film direction!
Gene Wilder