Quote

I never thought of it as God. I didn't know what to call it. I don't believe in devils, but demons I do because everyone at one time or another has some kind of a demon, even if you call it by another name, that drives them.

Gene Wilder

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Gene Wilder
Age: 83 †
Born: 1933
Born: June 11
Died: 2016
Died: August 29
Actor
Comedian
Diarist
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Writer
Milwaukee City
Wisconsin
Jerome Silberman
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Demons
Didn
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Thought
Demon
Even
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Believe
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Everyone
Devils

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I'm in complete remission. I'm alive and well.
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If you're not gonna tell the truth, then why start talking?
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I certainly didn't have New York Jewish humor. But I was in three Mel Brooks films so people thought I was a connoisseur of New York Jewish humor.
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I had improvised a lot in classes and at the Actors Studio, but I never did it in front of the camera.
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When people, especially from France, would ask me to talk about or so they could write about New York Jewish humor, I'd say I don't know anything about New York Jewish humor. I know who Zero Mostel was and I know Mel Brooks, but that's about all I could tell you about New York Jewish humor.
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Time is a precious thing. Never waste it.
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I write funny. If I can make my wife laugh, I know I'm on the right track. But yes, I don't like to get Maudlin. And I have a tendency towards it.
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Great art direction is NOT the same thing as great film direction!
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I was so afraid to feel free to enjoy my own life if my mother was sick and suffering everyday of her's. I didn't think I had the right.
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Her business manager said, you know, Gilda [Radner] left you that house. That's when I decided to stay and test it out. And after about a month, the roots grew, and I didn't ever want to live anywhere else for the rest of my life - travel, yes, but not to live anywhere else.
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I'd like to do a comedy with Emma Thompson. I admire her as an actress so much. I love her. And I didn't know it until recently that her whole career started in comedy.
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Zero Mostel wasn't afraid of authority in any form, and that's the part that influenced me the most.
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I wanted to do - there was this film called 'Magic' that Anthony Hopkins did. And the director wanted me. The writer wanted me. Joe Levine said no, I don't want any comedians in this.
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Which one of us, anywhere in the world, doesn't yearn to be believed when the audience is watching?
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[ Zero Mostel] would tell anyone anything, not to be impolite, but he'd show that he wasn't at all afraid of however much money that person [had] or whatever title they had in a company. It didn't scare him. Mel [Brooks] was very much the same way.
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Little surprises around every corner, but nothing dangerous.
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We gave each other a hug, [Richard Pryor] said how much he admired me, I said how much I admired him, and we started working the next morning, and we hit it off really well, and he taught me how to improvise on camera.
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Dont put the sheep on the table.
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With Mel [Brooks], only one time and that was later on during Young Frankenstein - never with Zero [Mostel] and never with Mel except I was writing every day, and then Mel would come to the house and read what I'd written. And then he'd say, yeah, yeah, yeah, OK, yeah, OK. But we need a villain or we need whatever it was.
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When you please your mother by doing something, it gives you confidence that you can please other people.
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