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A romantic, I think, picks the rose and is careless with the thorn.
Gene Tierney
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Gene Tierney
Age: 70 †
Born: 1920
Born: November 19
Died: 1991
Died: November 6
Actor
Autobiographer
Character Actor
Film Actor
Film Actress
Stage Actor
Television Actor
Brooklyn
New York
Gene Eliza Tierney
Careless
Romantic
Picks
Rose
Think
Thinking
Thorn
More quotes by Gene Tierney
The Hollywood structure was monopolistic, run by four or five big studios.
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I never understood the theory, once popular among doctors, that blamed mental disorders on too little or too much mother love. My own mother was my darling.
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I do not recall spending long hours in front of a mirror loving my reflection.
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I ask myself: would I have been any worse off if I had stayed home or lived on a farm, and instead of shock treatments received rest and quiet and the good medication?
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I used up every cent I had earned as an actress.
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It is difficult to write about any form of mental disease, especially your own, without sounding as if you were examining a bug under glass.
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My parents argued more than I remembered, about money and all the little things that disguise the truth that you are still arguing about money.
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The Howard Hughes I knew began to change after his plane crash in 1941.
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I knew I could not cope with the future unless I was able to rediscover the past.
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I dated dozens of young men, had fun with all, made commitments to none.
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I had no romantic interest in Gable. I considered him an older man.
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In show business the saying seems too often true: it isn't enough to succeed someone else must fail.
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I followed the same diet for 20 years, eliminating starches, living on salads, lean meat, and small portions.
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In my early days in Hollywood I tried to be economical. I designed my own clothes, much to my mother's distress.
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The word actress has always seemed less a job description to me than a title
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We cannot calculate the numbers of people who left, fled or were fished out of Europe just ahead of the Holocaust.
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Children don't understand about people loving each other and then suddenly not.
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I was fortunate enough to work under directors who were, most of them, brilliant, emotional men.
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that strange conflict in the American character: we pride ourselves on being the melting pot of the world but we insist on regarding most immigrants with suspicion.
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I simply did not want my face to be my talent.
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