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I am adrenaline slammed into inertia: a fast car stuck in traffic.

Gayle Forman

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Gayle Forman
Age: 54
Born: 1970
Born: June 5
Writer
LA
California
Inertia
Adrenaline
Traffic
Stuck
Fast
Car
Slammed

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I want to undo this. To make it right. But I have no idea how. I don't seem to know how to open up to people without getting the door slammed in my face. So I do nothing.
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He looks at one of the pictures for a long time. Then he looks at me. I'll keep you up here. He taps his temple. Where you can't get lost.
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Nothing happens without intention, Willem. Nothing. This theory of yours - life is rules by accidents - isn't that just one huge excuse for passivity?
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It's nice, this. The canal. He looks at me. You. I'll bet you say that to all the canals.
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I don’t want to be that person, who just takes things.
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I want to make her cry and then lick up the tears.
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Because you don’t ever find things when you’re looking for them. You find them when you’re not.” “If that were true, nobody would ever find their keys.
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In that twisted incestuous way of fate, Mia's a part of our history, and we're among the shards of her legacy.
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And our lips. There isn't enough skin, enough spit, enough time, for the lost years that our lips are trying to make up for as they find each other. We kiss. The electric current switches to high. The lights throughout all of Brooklyn must be surging.
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Why get stained when getting dirty is so much more fun
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Sarcasm creates a chasm between yourself and others.
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Even going to jail would be easy compared to losing you.
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Because for that day, I really did become Lulu. Maybe not from the film or the real Louise Brooks, but my own idea of what Lulu represented. Freedom. Daring. Adventure. Saying yes.
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It's ok if you want to stop fighting.
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In the middle of L.A.'s sunny non-winter, I need to sit in a dark closet to feel right.
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And that's just it, isn't it? That's how we manage to survive the loss. Because love, it never dies, it never goes away, it never fades, so long as you hang on to it.
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One day she told me that they'd decided that my gender was divvied into two neat piles-Men and Guys. Basically, all the saints of the world: Men. The jerks, the players, the wet T-shirt contest aficionados? They were Guys.
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My first impulse is not to grab her or kiss her or yell at her. I simple want to touch her cheek, still flushed from the night's performance. I want to cut through the space that separates us, measured in feet-not miles, not continents, not years-and to take a callused finger to her face.
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C'est courageux d'aller dans l'inconnu': It is courageous to go into territory unknown.
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There are like twenty people in that waiting room right now. Some of them are related to you. Some of them are not. But we're all your family.' She stops now. Leans over me so that the wisps of her hair tickle my face. She kisses me on the forehead. 'You still have a family,' she whispers.
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