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Empirical description involves enslavement to the object by decreeing passivity on the part of the subject.

Gaston Bachelard

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Gaston Bachelard
Age: 78 †
Born: 1884
Born: June 27
Died: 1962
Died: October 16
G 巴什拉
G. Bachelard
Objects
Enslavement
Part
Empirical
Passivity
Involves
Description
Object
Subject
Subjects

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What action could bodies and substances have if they were not named in a further increase of dignity where common nouns become proper nouns?
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One doesn't read poetry while thinking of other things.
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There are children who will leave a game to go and be bored in a corner of the garret. How often have I wished for the attic of my boredom when the complications of life made me lose the very germ of freedom!
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The poetic image exists apart from causality.
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The metaphor is~ an origin, the origin of an image which acts directly, immediately.
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There is no original truth, only original error.
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The reveries of two solitary souls prepare the sweetness of loving.
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Reverie is commonly classified among the phenomena of psychic detente. It is lived out in a relaxed time which has no linking force. Since it functions with inattention, it is often without memory. It is a flight from out of the real that does not always find a consistent unreal world.
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What is the source of our first suffering? It lies in the fact that we hesitated to speak... It was born in the moment when we accumulated silent things within us.
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The dream remains overloaded with the badly lived passions of daytime life. Solitude in the nocturnal dream is always a hostility. It is strange. It isn't really our solitude.
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Perhaps it is even a good idea to stir up a rivalry between conceptual and imaginative activity. In any case, one will encounter nothing but disappointments if he intends to make them cooperate. The image can not provide matter for a concept. By giving stability to the image, the concept would stifle its life.
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Irony gives us, at little expense, the impression that we are experienced psychologists.
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A pretext-not a cause-is sufficient for us to enter the solitary situation, the situation of the dreaming solitude. In this solitude, memories arrange themselves in tableaux. Decor takes precedence over drama. Sad memories take on at least the peace of melancholy.
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Air is the very substance of our freedom, the substance of superhuman joy.... aerial joy is freedom.
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A special kind of beauty exists which is born in language, of language, and for language.
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Instead of looking for the dream in reverie, people should look for reverie in the dream. There are calm beaches in the midst of nightmares.
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It is a poor reverie which invites a nap. One must even wonder whether, in this failing asleep, the subconscious itself does not undergo a decline in being.
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Cosmic reveries separate us from project reveries. They situate us in a world and not in a society. The cosmic reverie possesses a sort of stability or tranquility. It helps us escape time. It is a state.
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Of course, any simplification runs the risk of mutilating reality but it helps us establish perspectives.
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