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It will always be a fact that the woman is the person one idealizes, also the person who wishes his idealization.

Gaston Bachelard

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Gaston Bachelard
Age: 78 †
Born: 1884
Born: June 27
Died: 1962
Died: October 16
G 巴什拉
G. Bachelard
Woman
Wish
Facts
Also
Persons
Person
Idealization
Always
Wishes
Fact

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It is through the intentionality of poetic imagination that the poet's soul discovers the opening of consciousness common to all true poetry.
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When the image is new, the world is new.
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Our house is our corner of the world.
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Man is an imagining being.
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Reverie is commonly classified among the phenomena of psychic detente. It is lived out in a relaxed time which has no linking force. Since it functions with inattention, it is often without memory. It is a flight from out of the real that does not always find a consistent unreal world.
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In living off all the reflecting light furnished by poets, the I which dreams the reverie reveals itself not as poet but as poetizing I.
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The cleverer I am at miniaturizing the world, the better I possess it.
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Two half philosophers will probably never a whole metaphysician make.
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A book is always an emergence above everyday life. A book is expressed life and thus is an addition to life.
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Irony gives us, at little expense, the impression that we are experienced psychologists.
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So, like a forgotten fire, a childhood can always flare up again within us.
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Daydream transports the dreamer outside the immediate world to a world that bears the mark of infinity.
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Childhood lasts all through life. It returns to animate broad sections of adult life... Poets will help us to find this living childhood within us, this permanent, durable immobile world.
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A special kind of beauty exists which is born in language, of language, and for language.
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Cosmic reveries separate us from project reveries. They situate us in a world and not in a society. The cosmic reverie possesses a sort of stability or tranquility. It helps us escape time. It is a state.
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At all times and in all fields the explanation by fire is a rich explanation.
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A pretext-not a cause-is sufficient for us to enter the solitary situation, the situation of the dreaming solitude. In this solitude, memories arrange themselves in tableaux. Decor takes precedence over drama. Sad memories take on at least the peace of melancholy.
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Through imagination, thanks to the subtleties of the irreality function, we re-enter the world of confidence, the world of the confident being, which is the proper world for reverie.
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Empirical description involves enslavement to the object by decreeing passivity on the part of the subject.
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The past of the soul is so distant! The soul does not live on the edge of time. It finds its rest in the universe imagined by reverie.
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