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Sometimes people who feel powerless, they come to bother their own kids, or they come to bother children.

Gaspar Noe

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Gaspar Noe
Age: 82
Born: 1942
Born: October 17
Director
Non-Fiction Writer
Soldier
Port Arthur
Texas
Sometimes
Feels
Children
People
Powerless
Bother
Kids
Come
Feel

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Vengeance is a human right.
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I feel very protected when I see a movie. That's why I like making violent movies or radical movies.
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I'm sure if you were a Bosnian during the war, you would wish to kill Serbs. Just because it is the opposite of you and because they're aggressors. And also, it happens to me when I get attacked.
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You can put whatever you want inside evil and good in morality.
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If you're a Bosnian and suddenly you get attacked by the Serbs, there's just one way of getting rid of your opponents. It's taking revenge and trying to fight as hard as you can.
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In England they need a king, in Spain they need a king, in France there is no more king. But they consider the president as if he was a king.
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People who are poor, they suffer a lot. And people drink a lot and people take a lot of downers and there's a lot of unemployment.
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I prefer periods of peace and love.
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I am not a police fan at all.
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I always think of moments of love with someone I love.
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The power that a president has in France is like the power of a king. In America, you know that his power is limited. Maybe because there used to be a king for centuries and now they're still behaving like they need a king.
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I think that in the American film industry - or even in the European cinema - movies are made not to disturb any kind of class or any kind of minority.
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I wanted to do comic books... as a comic book artist, as an illustrator. But I'm not very good so I thought I should do something else! So I went to a film school when I was seventeen and came out when I was nineteen.
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You feel touched by a movie in a good or bad way or you have a strong reaction to something that's totally artificial, to an imitation of life. But that imitation of life that you see on the screen can affect you almost as if it was real.
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Erotic movies - they don't even make it anymore. Even the erotic magazines don't really look like the ones you could find in the '70s. You have much more extreme iconography of what is sexy. It's very cold. There's nothing that links to real life.
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Make a movie that you can be proud of.
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If I had to go through a tunnel ten years without making any movies like Bunuel, I don't mind, as long as I did one good movie.
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I think British people for example can handle better their own poorness. The image of their poorness. But in France, people don't handle it very well. Either you are normal or ... if you are poor you better not show it.
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The hateful reviews are very funny. And sometimes you can enjoy a hateful review much more than a good review.
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From a simple, mammal perspective, you think you're going to make friends through the movie. You think, Oh, this kind of humor that I play with will bring people that have a similar kind of humor. I'll make new friends, or something. You don't even think in terms of audience or of money.
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