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Reality TV to me is the museum of social decay.
Gary Oldman
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Gary Oldman
Age: 66
Born: 1958
Born: March 21
Actor
Character Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Voice Actor
London
England
Gary Leonard Oldman
Museum
Museums
Decay
Social
Reality
More quotes by Gary Oldman
We're given a code to live our lives by. We don't always follow it, but it's still there.
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On set I keep myself to myself I'd rather the director speak up. I'm not gonna direct a younger actor. I think the power of example works best, actually.
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I was never really that interested in the punk movement. I was a blues guy: I liked Motown, James Brown.
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At the Oscars, if you didn't vote for '12 Years a Slave' you were a racist.
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Sometimes directors feel like they have to justify that hat that they are wearing they've got on as a director, and they come in and they tweak and interfere.
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Getting sober was one of the three pivotal events in my life, along with becoming an actor and having a child. Of the three, finding my sobriety was the hardest thing.
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People who know me , they know I have a sense of humor, I'm a bit of a joker, a bit of a clown really, and I would love someone to exploit that side of me and send me a romantic comedy.
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I did have a knack for playing weirdos. There's still sort of this perception of me out there as being this crazy guy.
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Being an actor is a good way to earn a living. And to meet fabulous people. It's great to live very comfortably. I've been lucky, I've had a lot of fun with great roles, but it is true that if I were extremely rich, I would stop and I would go to play football on a beach in the Caribbean with my children.
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I'm almost incapable of lying. I'd be a terrible spy.
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Speaking very generally, I find that women are spiritually, emotionally, and often physically stronger than men.
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As a drama student I got into Thirties and Forties suits.
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I want my weekends off and I want to put my kids to bed. Those are good reasons to want to be in 'Batman 2'.
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Shakespeare doesn't really write subtext, you play the subtext.
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That's what sets apart one actor from another, and that you can't teach. You can't give someone that. When you're working, putting a character together, or in a scene, that's where things will happen that you have to have the intuition to notice them, and to register them.
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If one could have a wish, or an alternative life, I would've liked to have been John Lennon.
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People have an idea that one is in control of a career, a lot more than you really are. You can engineer things to an extent. But you are at the mercy of what comes in across the desk.
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I grew up in Deptford in south London, and at that time I used to wear toppers, loon pants and tonic suits from shops like Take 6 and Topman. I was a bit of a soul boy, but I had a very eclectic taste in music - I was into James Brown and Bowie and I was the only kid in the neighbourhood who would also be listening to Chopin.
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'Nil By Mouth' was a bit autobiographical, but as I always pointed out at the time, that's not my dad.
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I never told my father I loved him before he died, and I have a lot of issues about that. They're all swimming around in my head, in my heart, unresolved, and in a way it felt fitting to dedicate the film to him.
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