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You've got a number of things that take place that are peculiar to still photography. One: how a picture looks - what you photograph is responsible for how a photograph looks. In other words, it's responsible for the form.
Garry Winogrand
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Garry Winogrand
Age: 56 †
Born: 1928
Born: January 14
Died: 1984
Died: March 29
Photographer
Photojournalist
New York City
New York
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Photograph
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Still
Photography
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More quotes by Garry Winogrand
I have a good friend who's a very good printer. And he does a certain amount of printing for me. I do all the developing. If somebody's going to goof my film, I'd better do it. I don't want to get that mad at anybody else.
Garry Winogrand
What if I said that every photograph I made was set up? From the photograph, you can't prove otherwise. You don't know anything from the photograph about how it was made, really.
Garry Winogrand
Well, in terms of what a camera does. Again, you go back to that original idea that what you photograph is responsible for how it [the photograph] looks. And it's not plastic, in a way. The problem is unique in photographic terms.
Garry Winogrand
There's an arbitrary idea that the horizontal edge in a frame has to be the point of reference.
Garry Winogrand
Aside from women, I don't know. My work doesn't function the way Robert Frank's did.
Garry Winogrand
Los Angeles has interested me for a long time. I was in Texas for five years, for the same reason. I wanted to photograph there.
Garry Winogrand
I know what I like to use myself. I use Leicas, but when I look at the photograph, I don't ask the photograph questions. Mine or anybody else's. The only time I've ever dealt with that kind of thing is when I'm teaching.
Garry Winogrand
I'm pretty fast with a camera when I have to be. However, I think it's irrelevant.
Garry Winogrand
I'm still compulsively interested in women. It's funny, I've always compulsively photographed women. I still do.
Garry Winogrand
The primary problem is to learn to be your own toughest critic. You have to pay attention to intelligent work, and to work at the same time. You see. I mean, you’ve got to bounce off better work. It’s matter of working.
Garry Winogrand
At times I'd much rather talk about other work.
Garry Winogrand
In terms of content, you can make a problem for yourself, I mean, make the contest difficult, let's say, with certain subject matter that is inherently dramatic.
Garry Winogrand
You use the vertical edge as the point of reference, instead of the horizontal edge. I have a picture of a beggar, where there's an arm coming into the frame from the side. And the arm is parallel to the horizontal edge and it makes it work. It's all games, you know. But it keeps it interesting to do, to play.
Garry Winogrand
You see something happening and you bang away at it. Either you get what you saw or you get something else--and whichever is better you print.
Garry Winogrand
Certainly, you know, you can always learn from some - from somebody else's - from some intelligence. I think. I hope.
Garry Winogrand
In the simplest sentence, I photograph to find out what something will look like photographed. Basically, that's why I photograph, in the simplest language. That's the beginning of it and then we get to play the games.
Garry Winogrand
I don't really have any faith in anybody enjoying photographs in a large enough sense to matter. I think it's all about finances, on one side.
Garry Winogrand
There are people who are socially ambitious. If you go back aways, the Sculls, for instance, had a lot of money and they were socially ambitious. If you get an old master, it's not going to do you any good socially.
Garry Winogrand
Photography is not about the thing photographed. It is about how that thing looks photographed.
Garry Winogrand
You've got to deal with how photographs look, what's there, not how they're made.
Garry Winogrand
