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The primary problem is to learn to be your own toughest critic. You have to pay attention to intelligent work, and to work at the same time. You see. I mean, you’ve got to bounce off better work. It’s matter of working.
Garry Winogrand
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Garry Winogrand
Age: 56 †
Born: 1928
Born: January 14
Died: 1984
Died: March 29
Photographer
Photojournalist
New York City
New York
Working
Bounce
Learn
Critic
Problem
Primaries
Better
Primary
Matter
Critics
Intelligent
Mean
Pay
Work
Attention
Toughest
Time
More quotes by Garry Winogrand
I don't care how they think of it. Some of these people are acquiring some very good pictures by a lot of different photographers.
Garry Winogrand
My intention is to make interesting photographs. That's it, in the end. I don't make it up. Let's say it's a world I never made. That's what was there to deal with.
Garry Winogrand
You just go through a certain kind of drudgery every time you have to look for something. I've got certain things grouped by now, but there's a drudgery in finding them. There's always stuff missing.
Garry Winogrand
It's a lot of work organizing something, whether it's a show or a book, and I don't want to do it every day.
Garry Winogrand
As far as my end of it, photographing, goes, all I'm interested in is pictures, frankly. I went to events, and it would have been very easy to just illustrate that idea about the relationships between the press and the event, you know.
Garry Winogrand
Aside from women, I don't know. My work doesn't function the way Robert Frank's did.
Garry Winogrand
I certainly never wanted to be a photographer to bore myself. It's no fun - life is too short.
Garry Winogrand
Let's put it this way - I photograph what interests me all the time. I live with the pictures to see what that thing looks like photographed. I'm saying the same thing I'm not changing it.
Garry Winogrand
There is a transformation, you see, when you just put four edges around it. That changes it. A new world is created.
Garry Winogrand
I don't think time is involved in how the thing is made.
Garry Winogrand
I don't go around looking at my pictures.
Garry Winogrand
Photos have no narrative content. They only describe light on surface.
Garry Winogrand
I know what I like to use myself. I use Leicas, but when I look at the photograph, I don't ask the photograph questions. Mine or anybody else's. The only time I've ever dealt with that kind of thing is when I'm teaching.
Garry Winogrand
There is no special way a photograph should look.
Garry Winogrand
The photo is a thing in itself. And that's what still photography is all about.
Garry Winogrand
You've got a number of things that take place that are peculiar to still photography. One: how a picture looks - what you photograph is responsible for how a photograph looks. In other words, it's responsible for the form.
Garry Winogrand
You use the vertical edge as the point of reference, instead of the horizontal edge. I have a picture of a beggar, where there's an arm coming into the frame from the side. And the arm is parallel to the horizontal edge and it makes it work. It's all games, you know. But it keeps it interesting to do, to play.
Garry Winogrand
You see something happening and you bang away at it. Either you get what you saw or you get something else--and whichever is better you print.
Garry Winogrand
There is nothing as mysterious as a fact clearly described.
Garry Winogrand
There are no photographs while I'm reloading .
Garry Winogrand