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You've got to deal with how photographs look, what's there, not how they're made.
Garry Winogrand
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Garry Winogrand
Age: 56 †
Born: 1928
Born: January 14
Died: 1984
Died: March 29
Photographer
Photojournalist
New York City
New York
Look
Looks
Made
Photographs
Photograph
Deal
Deals
More quotes by Garry Winogrand
I have a good friend who's a very good printer. And he does a certain amount of printing for me. I do all the developing. If somebody's going to goof my film, I'd better do it. I don't want to get that mad at anybody else.
Garry Winogrand
If I photograph you I don't have you, I have a photograph of you. It's got its own thing. That's really what photography, still photography, is about.
Garry Winogrand
As far as my end of it, photographing, goes, all I'm interested in is pictures, frankly. I went to events, and it would have been very easy to just illustrate that idea about the relationships between the press and the event, you know.
Garry Winogrand
There are people who like photography there are people who are worrying about what's going to happen with the dollar. They want to get anything that seems hard. I don't know, but I think it's got to do with economics. Now and then you get somebody who buys a picture because he likes it.
Garry Winogrand
Teaching is only interesting because you struggle with trying to talk about photographs, photographs that work, you see.
Garry Winogrand
I enjoy photographing. It's always interesting, so I can't say one thing is more fun than another. Everything has it's own difficulties.
Garry Winogrand
I sometimes think I'm a mechanic. I just take pictures.
Garry Winogrand
You see something happening and you bang away at it. Either you get what you saw or you get something else--and whichever is better you print.
Garry Winogrand
When I was a kid in New York I used to go to the zoo. I always liked the zoo. I grew up within walking distance of the Bronx Zoo. And then when my first two children were young, I used to take them to the zoo. Zoos are always interesting. And I make pictures.
Garry Winogrand
Certainly, you know, you can always learn from some - from somebody else's - from some intelligence. I think. I hope.
Garry Winogrand
You use the vertical edge as the point of reference, instead of the horizontal edge. I have a picture of a beggar, where there's an arm coming into the frame from the side. And the arm is parallel to the horizontal edge and it makes it work. It's all games, you know. But it keeps it interesting to do, to play.
Garry Winogrand
I'm living in Los Angeles for a couple of years. I've been a gypsy for quite a while. It'll come to an end. I'm going to come back to New York.
Garry Winogrand
There is a transformation, you see, when you just put four edges around it. That changes it. A new world is created.
Garry Winogrand
Well, I'm not going to get into that. I think that those kind of distinctions and lists of titles like street photographer are so stupid. I'm a photographer, a still photographer. That's it.
Garry Winogrand
You're talking about meaning. I want to talk about the picture.
Garry Winogrand
I know what I like to use myself. I use Leicas, but when I look at the photograph, I don't ask the photograph questions. Mine or anybody else's. The only time I've ever dealt with that kind of thing is when I'm teaching.
Garry Winogrand
I photograph to find out what something will look like photographed.
Garry Winogrand
It's the easiest thing in the world to do that, to make successful photographs. It's a bore.
Garry Winogrand
Well, in terms of what a camera does. Again, you go back to that original idea that what you photograph is responsible for how it [the photograph] looks. And it's not plastic, in a way. The problem is unique in photographic terms.
Garry Winogrand
I'm talking about technical goofs. I'm pretty much on top of it. The kind of picture you're referring to would have to be more about the effects of technical things, technical phenomena, and I'm just not interested in that kind of work at all.
Garry Winogrand
