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The human need for language is not simply for the transmission of meaning, it is at the same time listening to and affirming a person's existence.
Gao Xingjian
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Gao Xingjian
Age: 84
Born: 1940
Born: January 4
Film Director
Literary Critic
Novelist
Painter
Playwright
Translator
Writer
Xingjian Gao
Hành Kiện Cao
Hsing-chien Kao
Person
Transmission
Human
Affirming
Humans
Meaning
Need
Listening
Needs
Simply
Time
Existence
Language
Persons
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Literature is subservient to nothing but truth.
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Life is fragile, yet to obstinately struggle is natural.
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I don't want to be a strong hero who can save society. I just want to save myself.
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You should know that there is little you can seek in this world, that there is no need for you to be so greedy, in the end all you can achieve are memories, hazy, intangible, dreamlike memories which are impossible to articulate. When you try to relate them, there are only sentences, the dregs left from the filter of linguistic structures.
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Men always look differently at women, even if it's not your intention it is wrongly interpreted as such.
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It's in literature that true life can be found. It's under the mask of fiction that you can tell the truth.
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Everyone has to have either this or that problem, if he can't find any problem, he loses all reason for living.
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I want to write a novel so profound that it would suffocate a fly.
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Realty exists only through experience, and it must be personal experience.
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If you want to do anything, do it now, without compromise or concession, because you have only one life.
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Maybe there isn't a God after all, maybe there's only a universe rotating by itself like a millstone.
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Only a lunatic would think that art is superior to nature.
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In the snow outside my window I see a small green frog, one eye blinking and the other wide open, unmoving, looking at me. I know this is God.
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Soul Mountain, the story of one man’s quest for inner peace and freedom.
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Observing humans and observing oneself yields a clear-minded starting point for literature.
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Everybody can write poetry, just like everybody knows how to make love.
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The enterprise of describing something in language that has never been described before is a very difficult thing to do. When you decide to do away with old cliches or old phraseologies, and to come up with a new way of saying something, it's extremely difficult.
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In my view the time for rousing revolutionary literature has passed, because the revolution has already revolutionised itself to death and has left behind only bitterness and a sort of weariness, listlessness and even nausea.
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For me, writing [was] a question of survival...I could not trust anyone, even my family. The atmosphere was so poisoned. People even in your own family could turn you in.
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When you're telling a story, you've got to give details.
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