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Santiago Nasar had often told me that the smell of closed-in flowers had an immediate relation to death for him.
Gabriel Garcia Marquez
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Gabriel Garcia Marquez
Age: 87 †
Born: 1927
Born: March 6
Died: 2014
Died: April 17
Autobiographer
Journalist
Novelist
Playwright
Poet Lawyer
Prosaist
Publisher
Screenwriter
Short Story Writer
Writer
LA
California
Gabriel José García Márquez
Gabriel Garcia Marquez
Gabriel Jose Garcia Marquez
Gabriel José de la Concordia García Márquez
Gabriel Jose de la Concordia Garcia Marquez
Death
Immediate
Closed
Flowers
Smell
Relation
Flower
Told
Often
Santiago
More quotes by Gabriel Garcia Marquez
Aureliano not only understood by then, he also lived his brother’s experiences as something of his own, for on one occasion when the latter was explaining in great detail the mechanism of love, he interrupted him to ask: “What does it feel like?” José Arcadio gave an immediate reply: “It’s like an earthquake.
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If you love something - let. If it is yours - it will come back. I love you not because of who you are, but for who I am when I'm with you.
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And nevertheless, when they watched him leave the house, this man they themselves had urged to conquer the world, then they were the ones left with the terror that he would never return. That was their life. Love, if it existed, was something separate: another life.
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It's enough for me to be sure that you and I exist at this moment.
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It is not that the girl is unfit for everything, it is that she is not of this world.
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Life is but a continual succession of opportunities for surviving.
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races condemned to 100 years of solitude did not have a second opportunity on earth.
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...The girl raised her eyes to see who was passing by the window, and that casual glance was the beginning of a cataclysm of love that still had not ended half a century later.
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A great commotion immobilized her in her center of gravity, planted her in her place, and her defensive will was demolished by the irresistible anxiety to discover what the orange bells and whistles and the invisible globes on the other side of death were like.
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For those who may be hurting over lost love: Don't cry because it is over... smile because it happened.
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Gaston was not only a fierce lover, with endless wisdom and imagination, but he was also, perhaps, the first man in the history of the species who had made an emergency landing and had come close to killing himself and his sweetheart simply to make love in a field of violets.
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For a week, almost without speaking, they went ahead like sleepwalkers through a universe of grief, lighted only by the tenuous reflection of luminous insects, and their lungs were overwhelmed by a suffocating smell of blood.
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He allowed himself to be swayed by his conviction that human beings are not born once and for all on the day their mothers give birth to them, but that life obliges them over and over again to give birth to themselves.
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I think that the idea that I'm writing for many more people than I ever imagined has created a certain general responsibility that is literary and political. There's even pride involved, in not wanting to fall short of what I did before.
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Most critics don't realize that a novel like One Hundred Years of Solitude is a bit of a joke, full of signals to close friends and so, with some pre-ordained right to pontificate they take on the responsibility of decoding the book and risk making terrible fools of themselves.
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There's no greater misfortune than dying alone.
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Perhaps this is what the stories meant when they called somebody heartsick. Your heart and your stomach and your whole insides felt empty and hollow and aching.
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There [is] no innocence more dangerous than the innocence of age.
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