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The weak would never enter the kingdom of love.
Gabriel Garcia Marquez
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Gabriel Garcia Marquez
Age: 87 †
Born: 1927
Born: March 6
Died: 2014
Died: April 17
Autobiographer
Journalist
Novelist
Playwright
Poet Lawyer
Prosaist
Publisher
Screenwriter
Short Story Writer
Writer
LA
California
Gabriel José García Márquez
Gabriel Garcia Marquez
Gabriel Jose Garcia Marquez
Gabriel José de la Concordia García Márquez
Gabriel Jose de la Concordia Garcia Marquez
Enter
Weak
Never
Would
Love
Kingdom
Kingdoms
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It was a love of perpetual flight.
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Tricks you need to transform something which appears fantastic, unbelievable into something plausible, credible, those I learned from journalism. The key is to tell it straight. It is done by reporters and by country folk.
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There is bound to be someone driven mad by love who will give you the chance to study the effects of gold cyanide on a cadaver. And when you do find one, observe with care, they almost always have crystals in their heart
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Music is important for one's health.
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A man knows when he is growing old because he begins to look like his father.
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we had made love without love, half-dressed most of the time and always in the dark so we could imagine ourselves as better than we were.
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Everyone has three lives: a public life, a private life, and a secret life.
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Most critics don't realize that a novel like One Hundred Years of Solitude is a bit of a joke, full of signals to close friends and so, with some pre-ordained right to pontificate they take on the responsibility of decoding the book and risk making terrible fools of themselves.
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This soup tastes like windows
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...The girl raised her eyes to see who was passing by the window, and that casual glance was the beginning of a cataclysm of love that still had not ended half a century later.
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Fatality makes us invisible.
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He did not dare to console her, knowing that it would have been like consoling a tiger run thru by a spear.
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I would like for my books to have been recognized posthumously, at least in capitalist countries, where they turn you into a kind of merchandise.
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In the end all books are written for your friends. The problem after writing One Hundred Years of Solitude was that now I no longer know whom of the millions of readers I am writing for this upsets and inhibits me. It's like a million eyes are looking at you and you don't really know what they think.
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My most important problem was destroying the lines of demarcation that separate what seems real from what seems fantastic.
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Very well, I will marry you if you promise not to make me eat eggplant.
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He was still too young to know that the heart's memory eliminates the bad and magnifies the good, and that thanks to this artifice we manage to endure the burden of the past.
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Morality, too, is a question of time.
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