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The art of advertising - untruthfulness combined with repetition.
Freya Stark
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Freya Stark
Age: 100 †
Born: 1893
Born: January 31
Died: 1993
Died: May 9
Author
Essayist
Explorer
Mountaineer
Photographer
Travel Writer
Traveler
Writer
Paris
France
Dame Freya Madeline Stark
Untruthfulness
Combined
Repetition
Advertising
Art
More quotes by Freya Stark
The world has become too full of many things, an over furnished room.
Freya Stark
The true call of the desert, of the mountains, or the sea, is their silence - free of the networks of dead speech.
Freya Stark
Solitude, I reflected, is the one deep necessity of the human spirit to which adequate recognition is never given in our codes. It is looked upon as a discipline or penance, but hardly ever as the indispensable, pleasant ingredient it is to ordinary life, and from this want of recognition come half our domestic troubles.
Freya Stark
... it is a matter of civilizing everyone or not being civilized at all: the decay has always come from a partial civilization.
Freya Stark
The monstrosity of bureaucracy, I thought: always the pint-pot judging the gallon, the scribe's, the door-keeper's world. Always the stupidity of people who feel certain about things they never try to find out. A world that educates people to be ignorant - that is what this world of ours is.
Freya Stark
I do dislike people with Moral Aims. Everyone asks me why I learn Arabic, and when I say I just like it, they looked shocked and incredulous.
Freya Stark
Curiosity is the one thing invincible in Nature.
Freya Stark
Travel does what good novelists also do to the life of everyday, placing it like a picture in a frame or a gem in its setting, so that the intrinsic qualities are made more clear. Travel does this with the very stuff that everyday life is made of, giving to it the sharp contour and meaning of art.
Freya Stark
Pain and fear and hunger are effects of causes which can be foreseen and known: but sorrow is a debt which someone else makes for us.
Freya Stark
One is so apt to think of people's affection as a fixed quantity, instead of a sort of moving so with the tide, always going out or coming in but still fundamentally there: and I believe this difficulty in making allowance for the tide is the reason for half the broken friendships.
Freya Stark
I have met charming people, lots who would be charming if they hadn't got a complex about the British and everyone has pleasant and cheerful manners and I like most of the American voices. On the other hand I don't believe they have any God and their hats are frightful. On balance I prefer the Arabs.
Freya Stark
... I cannot think a civilization worth having that does not encourage and enable its subjects to spend something, not extorted by governments but freely given to keep wretchedness at least from the streets they walk through day by day.
Freya Stark
The perpetual charm of Arabia is that the traveler finds his level there simply as a human being the people's directness, deadly to the sentimental or pedantic, likes the less complicated virtues.
Freya Stark
I do like people who have not yet made up their minds about everything, who in fact are still receiving
Freya Stark
... the thwarting of the instinct to love is the root of all sorrow and not sex only but divinity itself is insulted when it is repressed.
Freya Stark
It seems to me that the only thing for a pacifist to do is to find a substitute for war: mountains and seafaring are the only ones I know. But it must be something sufficiently serious not to be a game and sufficiently dangerous to exercise those virtues which otherwise get no chance.
Freya Stark
To feel, and think, and learn - learn always: surely that is being alive and young in the real sense
Freya Stark
Every victory of man over man has in itself a taste of defeat.... There is no essential difference between the various human groups, creatures whose bones and brains and members are the same and every damage we do there is a form of mutilation, as if the fingers of the left hand were to be cut off by the right.
Freya Stark
The artist's business is to take sorrow when it comes. The depth and capacity of his reception is the measure of his art and when he turns his back on his own suffering, he denies the very laws of his being and closes the door on everything that can ever make him great.
Freya Stark
The language of salesmanship was no doubt born with the first fashions in fig leaves in the garden of Eden. A strange concept has grown around it: if something is to be sold, inaccuracy is not immoral. Hence the art of advertisement - untruthfulness combined with repetition.
Freya Stark