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What to know about pain is how little we do to deserve it, how simple it is to give, how hard to lose.

Frederick Busch

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Frederick Busch
Age: 64 †
Born: 1941
Born: August 1
Died: 2006
Died: February 23
Novelist
University Teacher
Writer
Brooklyn
New York
Littles
Little
Hard
Deserve
Giving
Lose
Loses
Simple
Pain
Give

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I love thrillers. I would even read certain science fiction, although I haven't been a devotee for many years.
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I'm not a philosopher. I am the next thing to a jock, which is a novelist.
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If a writer is honest, if what is at stake for him can seem to matter to his readers, then his work may be read. But a writer will work anyway, as I do, and as I have, in part to explore this terra incognita, this dangerous ground I seem to need to risk.
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History is beautiful stories or scary stories, yeah.
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It's harder to get hold of the world. It's harder to understand the world, to encompass the literature necessary for the information.
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My heroes are people like Philip Levine, who is simply like a god to me, as a writer. And he is a very good man, too.
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Baseball is a game where you are always waiting, and then when something happens it's like turning a kaleidoscope when you were a kid.
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What I try to do is read stuff that won't deal with the dangerous dark things I hope I am writing about.
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First-book novelists and storywriters haven't yet failed and so it's easier to publish them - you can gamble on a success. Whereas someone who has written four books that are highly literary and demanding and require you as a reader. They may not be republished.
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I don't think I want to write a third book. But the more people talk to me about it, the more I think maybe I do.
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Stephen King has the exact ability that Charles Dickens had. To get to his readers in spite of or despite anything the reviews say.
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When you are writing a character, what the character says is obviously crucial. But what the character doesn't say is absolutely as important as his words.
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I know important literary writers who can't get published.
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There is a lack of context in contemporary education. And contemporary consideration - because we live in those interiorities so much. Especially young kids who live by surfing the Web.
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Never use 'submit' as a verb for sending work to magazine or book publishers say 'offer,' and never, ever submit. Keep your knees unbent. Be brave.
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When I am writing a novel I try not to read great prose stylists into which I will fall.
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The education of young people is narrowing. They cannot have the scope they used to have. They are being taught in high school by people earnest, still, but maybe less well-prepared than we would want them to be - but not because they are stupid or churlish.
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The culture is with some rapidity fearing its imagination. I don't know why. Imagination is not of interest.
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In a way, I see my fiction as having moved in that direction - and the characters as dealing simultaneously with their personal history and with the present in which they are trying to make their way. So that the books are simultaneously about public and interior events. And I am having a great time getting confused and crazed writing about them.
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I'm an amateur, so I read what's interesting to me.
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