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What to know about pain is how little we do to deserve it, how simple it is to give, how hard to lose.

Frederick Busch

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Frederick Busch
Age: 64 †
Born: 1941
Born: August 1
Died: 2006
Died: February 23
Novelist
University Teacher
Writer
Brooklyn
New York
Give
Littles
Little
Hard
Deserve
Giving
Lose
Loses
Simple
Pain

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Baseball is a game where you are always waiting, and then when something happens it's like turning a kaleidoscope when you were a kid.
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In a way, I see my fiction as having moved in that direction - and the characters as dealing simultaneously with their personal history and with the present in which they are trying to make their way. So that the books are simultaneously about public and interior events. And I am having a great time getting confused and crazed writing about them.
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I always had good students.
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I always write the best that I can. And I won't publish it until I have done it right.
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I know important literary writers who can't get published.
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Never use 'submit' as a verb for sending work to magazine or book publishers say 'offer,' and never, ever submit. Keep your knees unbent. Be brave.
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I love thrillers. I would even read certain science fiction, although I haven't been a devotee for many years.
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It's harder to get hold of the world. It's harder to understand the world, to encompass the literature necessary for the information.
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Hollywood is the model for publishing, more and more. Not just blockbusters either.
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If there is some blood on the pages then you have some readership.
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I don't think the world is particularly responsive to - our world, the culture we are in, to art right now.
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What I try to do is read stuff that won't deal with the dangerous dark things I hope I am writing about.
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My heroes are people like Philip Levine, who is simply like a god to me, as a writer. And he is a very good man, too.
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I'm an amateur, so I read what's interesting to me.
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The education of young people is narrowing. They cannot have the scope they used to have. They are being taught in high school by people earnest, still, but maybe less well-prepared than we would want them to be - but not because they are stupid or churlish.
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I always want to read Gore Vidal's nonfiction. Because everything he writes is an essay and it's worth reading.
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When you are writing a character, what the character says is obviously crucial. But what the character doesn't say is absolutely as important as his words.
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When I am writing a novel I try not to read great prose stylists into which I will fall.
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First-book novelists and storywriters haven't yet failed and so it's easier to publish them - you can gamble on a success. Whereas someone who has written four books that are highly literary and demanding and require you as a reader. They may not be republished.
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I can't imagine having the courage to ask a publisher to do a whole book of my poems.
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