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I was raised in New York and spent two years in Rio. My parents met at the University of Southern Mississippi, and they had me there, and then we moved to New York. I'm not very familiar with Mississippi.
Fred Armisen
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Fred Armisen
Age: 58
Born: 1966
Born: December 4
Actor
Film Actor
Musician
Screenwriter
Television Actor
Voice Actor
Hattiesburg
Mississippi
Raised
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Rio
York
Mississippi
Parents
Southern
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Two
University
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More quotes by Fred Armisen
In my opinion, there's this new phenomenon where guys used to talk about cars a lot in the past. But, more and more it's becoming them talking about recording studios.
Fred Armisen
The population increasing, some of it could be in countries we haven't thought of making art in. I've never entertained making comedy in China. Like what world is that? I don't know how they would perceive art or sketch comedy. It's not a matter of intellect it's a matter of language.
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Remember that there's no one way of doing things. ... If you just get a hammer and hit it really hard, whatever it is, I guarantee you it'll open.
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It's already years ago now, but there's that South Korean music artist Psy, who had that hit song and it was a hit song here. I'm like, Wait a minute. There's a chance. There's a way we can have language not be such an important part of comedy.
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Someday maybe I'll go back and see what the Deep South is like.
Fred Armisen
Rules are really weird things, aren't they? I feel like the more I do something, the more I see through rules. I see the reason to ignore it, but at the same time, That's why they made that rule!
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I started comedy in like 1998.
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Chalkboards being used inside the restaurant seem to be a good sign that the proprietors are proud of their food, and that's kind of nice, actually - it's a nice personal touch.
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If someone can write great music... Paul McCartney is a genius. He's so prolific. All we should do is bow down to Paul McCartney.
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I like it when people are driven. I love that in any field of work, in architecture or whatever. Like Lorne Michaels - he pays attention to every detail.
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When I first started going to Portland, people told me about Stumptown. They were like 'Oh, it's the best coffee,'and I thought, 'How good could it really be?' I'm like, 'Sure, great, uh... I'd love to see it.' But then when I went, it truly, I am not kidding, is the best coffee I have ever had.
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I want it all... fast. I want to be married, I want to live together... and then somewhere around a year or two years, I get freaked out. I freak out emotionally and then I actually feel like 'Oh my God, who's this stranger in my house?'
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I don't miss anything ever. Because to me, missing something is like going backward a little bit. I don't miss being in a punk band. For me, 'SNL' is like... this is gonna sound overly dramatic, but... the way I am, it feels like I'm a soldier, so it was like, 'What do you want me to do? Put me anywhere. Do you want me to do these sketches? Great.'
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Avoid people who tell you that something you want to do is not possible.
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Macarena is a great song. If music is something you can remember - the worst crime music can do is to be forgettable.
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I can't relax. I'm not happy unless I'm working on stuff. 'SNL' is always a huge workload, as enjoyable as it is.
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I'm a fan of Talking Heads going way back.
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I'm so glad cities have personalities, just like people have personalities. That's something that makes me smile.
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I tend to think that there is a sophistication to everything at 'Saturday Night Live,' including the sketches.
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As far as paintings go, I always think about what it's like to move them and hang them up and hope they don't drop. To me, that seems like a big gamble, but that comes from me not being a painter.
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