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We need improvement in the style of performance. There is no more advantage in a musician who plays and conducts than in one who is only a beater of rhythm.

Franz Liszt

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Franz Liszt
Age: 74 †
Born: 1811
Born: October 22
Died: 1886
Died: July 31
Classical Composer
Composer
Conductor
Music Pedagogue
Musician
Pianist
Priest
Virtuoso
Frant︠s︡ List
Francesco Liszt
Ferenc List
François Liszt
Franz List
Ferencz Liszt
Ferenc Liszt
Franz von Liszt
Liszt Ferencz
Franz Von Liszt
F. Liszt
F. Lists
Liszt-Brugnoli
Franciszek Liszt
Franciscus List
Abbé Franz Liszt
Need
Plays
Needs
Performance
Rhythm
Performances
Musician
Advantage
Beater
Style
Conducts
Play
Improvement

More quotes by Franz Liszt

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The character of instrumental music... lets the emotions radiate and shine in their own character without presuming to display them as real or imaginary representations.
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My sole ambition as a composer is to hurl my javelin into the infinite space of the future.
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As for famous men who were not artists, I am beginning to be tired of them. Those poor little scoundrels who are called great men fill me with nothing but overwhelming horror.
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It is my fervent wish and my greatest ambition to leave a work with a few useful instructions for the pianists after me.
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As the mother teaches her children how to express themselves in their language, so one Gypsy musician teaches the other. They have never shown any need for notation.
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Inspiration is enough to give expression to the tone in singing, especially when the song is without words.
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Companions, in misery and worse, that is what we all are, and to try to change this substantially avails us nothing.
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So let us not worry, and look instead as it has been taught us to do, as the birds of the air and the lilies of the field, keeping complete faith in Our Father's goodness.
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A person of any mental quality has ideas of his own. This is common sense.
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I conclude that the Wagnerian operas which are already in the repertoire, and other masterworks as well, stand in no further need of my services.
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Music embodies feeling without forcing it to contend and combine with thought, as it is forced in most arts and especially in the art of words.
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When you write the story of two happy lovers, let the story be set on the banks of Lake Como.
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I find little in the works of Beethoven, Berlioz, Wagner and others when they are led by a conductor who functions like a windmill.
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Oral musical traditions are rooted in assured and scrupulous faith.
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Sorrowful and great is the artist's destiny.
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Broad paths are open to every endeavour, and a sympathetic recognition is assured to every one who consecrates his art to the divine services of a conviction of a consciousness.
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Life is only a long and bitter suicide, and faith alone can transform this suicide into a sacrifice.
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I foster a sorrowful conception of affection. Make no sacrifices.
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Supreme serenity still remains the Ideal of great Art. The shapes and transitory forms of life are but stages toward this Ideal, which Christ's religion illuminates with His divine light.
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The supreme harmony of the cosmos is selected in the harmony of the spirit.
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