I choose my work very carefully, always for the script and the director, and I don't think that's going to change. My work is like a house. It's built on very strong poles.

When I was a kid at first I wanted to own a candy shop. I guess every kid wants to - we just want to have access - free access.

I don't really care where I work, actually, because you know making a movie is like living in movie world. There's such a secluded world, and the director is the king ruling the country, and everybody's building this little town to speak in symbolism.

I think I'm a really good partner and very sensitive to the other person's feelings. I want somebody else to be comfortable, to understand about my job, and if they want to come on a set and see me work, they always can.

To give somebody your time is the biggest gift you can give.

Television in America is so elaborate. There are so many remote cranes, and they have all the toys to play with. The directors are really good. They really work with you. So, I'm not really on set thinking, Oh, my God, this is television. It's very different.

I think actors are divided into two groups: one that wants to be an actor to become famous and rich, and the other that wants to be an actor because they have to be. I'm more in the second group.

My background is a small town with no movie theater. So... I always pictured myself onstage. I went to acting school and learned all the skills. I left early because I did my first movie and discovered that I really loved the minimalistic work with the camera.

I think when I'm in love, I really am very good with calling, little faxes, and visiting and I really put a lot of effort into it. I'm really not the one that's not available because of work and I'm very sad when I actually leave.

Only in movies or books or TV do we have a chance to actually like aspects of a killer.

If you ever get really dressed up for a party, you get a feeling from the reactions of people that you don't need to be that loud. It's the same when you act. You have to always consider what's around you and the texture of things and try to meld in with what's going on.

I don't like actors who try to talk directors into making their part bigger and that's really lame.

I think working with Johnny Depp was very intimidating. It was my fault though. I mean he's a total cool nice, nice guy, but I was just so, I don't know, overpowered by his presence. Like he's a very mystic person. He's older so I never really warmed up around him. I was so stiff.

As the audience, I always love to get to a point where, surprisingly, I find myself in a secret friendship allegiance with the characters that are unexpected.