One of the most persistent cultural tics of the early 21st century is Americans' reluctance to absorb, let alone prepare for, bad news.

The principal House sponsor (of the Defense of Marriage Act), Bob Barr of Georgia has been married three times--which raises the question of why the act doesn't contain a three-strikes-and-you're-out provision.

Yul Brynner's performance in The King and I, . . . can no longer be regarded as a feat of acting or even endurance. After 30-odd . . . Mr Brynner is, quite simply, The King.

Anything But An Apologist for the Lefties and All of Their Causes.

I grew up in Washington, D.C. But also loving the theater.

What was most striking about the Obama speech in Berlin was not anything he said so much as the alternative reality it fostered: many American children have never before seen huge crowds turn out abroad to wave American flags instead of burn them.

Nation editor Katrina van den Heuvel told me that the failure to adequately cover the Downing Street Memo epitomizes the timidity, the cowardice of a media that has been manipulated, intimidated, bullied by an administration that has taken it to a high level. . lapdog news media.

If Obama needs to be criticized, I will criticize him. There's a tremendous amount of excitement about him. And a corollary of that is, as we're learning, from newspapers and magazines that are going into overdrive reprinting Obama editions, etc.

Someday we'll learn the whole story of why George W. Bush brushed off that intelligence briefing of Aug. 6, 2001, 'Bin Laden Determined to Strike in U.S.' But surely a big distraction was the major speech he was readying for delivery on Aug. 9, his first prime-time address to the nation.

There have been at least three other cases in which federal agencies have succeeded in placing fake news reports on television during the Bush presidency. It was a really good tour. It seemed maybe about a week too long.

Hollywood no longer depicts reporters in ruthless pursuit of criminals, high and low. Now they are the criminals.

The actor doesn't merely command the stage, he seems to own it by divine right.

The truth is that a lot of plays aren't political at all. In American theater history, political theater has tended to crop up when there's a crisis, a national crisis.

After 9/11, we realized that all these silly culture wars, and arguing about rock lyrics... who cares? You know, we, for some reason, remembered what our real problems are.