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Nancy's got a guardian angel. Seven feet plus of muscle and mayhem that goes by the name of Marv.
Frank Miller
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Frank Miller
Age: 67
Born: 1957
Born: January 27
Actor
Artist
Comics Artist
Executive Producer
Film Actor
Film Director
Novelist
Screenwriter
Writer
Olney
Maryland
Feet
Nancy
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Muscle
Names
Guardian
Muscles
Plus
Angel
Seven
Marv
Goes
Mayhem
More quotes by Frank Miller
Comics are so full of amazing work. And I can’t look at a drawing of a woman without thinking of, for instance, Wallace Wood and his amazing way of capturing beauty.
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I'm a comic book artist. So I think to myself, what do I like to draw? I like to draw hot chicks, fast cars and cool guys in trench coat. So that's what I write about.
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The world doesn't make sense until you force it to.
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I can tell you squat about Islam. I don’t know anything about it. But I know a goddamn lot about al Qaeda and I want them all to burn in hell.
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My Sin City heroes are knights in dirty, blood-caked armor. They bring justice to a world that gives them no medals, no praise, no reward. That world, that city, often kills them for their brave service.
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In the world of comic books, troublemaker means someone who has some sense of dignity.
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You can never escape me. Bullets don't harm me. Nothing harms me. But I know pain. I KNOW pain. Sometimes I share it. With someone like you.
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I guess in my own egotistical way I like to create my own library of Batman books that doesn't run contrary to a single thing that has been published before, but it also stands on its own.
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This should be agony. I should be a mass of aching muscle - broken, spent, unable to move. And, were I an older man, I surely would ... ... but I'm a man of thirty - of twenty again. The rain on my chest is a baptism - I'm born again.
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She doesn't quite chop his head off. She makes a Pez dispenser out of him.
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Comic-book pages are vertical, and movie screens are relentlessly horizontal. But it's all the same form. We use different tools, but we get the job done. I'm completely in love with CGI. It's great for conveying a cartoonist's sense of reality.
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A man without hope is a man without fear.
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I think most things I read on the Internet and in newspapers are propaganda. Everyone from the 'New York Times' to Rupert Murdoch has a point of view and is putting forth their own propaganda. They're stuck with the facts as they are, but the way they interpret and frame them is wildly different.
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In a way, 'Sin City''s designed to be paced somewhere between an American comic book and Japanese manga. Working in black and white, I realized that the eye is less patient, and you have to make your point, and sometimes repeat it. Slowing things down is harder in black and white, because there isn't as much for the eye to enjoy.
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A screenwriter is much like being a fire hydrant with a bunch of dogs lined up around it.
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I grew up on the crime stuff. Spillane, Chandler, Jim Thompson, and noir movies like Fuller, Orson Welles, Fritz Lang. When I first showed up in New York to write comics back in the late 1970s, I came with a bunch of crime stories but everybody just wanted men in tights.
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I realized that I was about to turn 30, and Batman was permanently 29. And I was going to be damned if I was older than Batman.
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When you have a brush in your hand, inking a beautiful woman is a lot like running your hands over her.
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I'm not going to complain about the fact that people are paying attention to my work. I suppose that wouldn't be fair.
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I prefer to write and draw in the privacy of my home and with total freedom and then take it to the lion's den.
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