Quote

Each of us needs something - food, liquor, pot, whatever - to help us survive. Dracula needs blood.

Frank Langella

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Frank Langella
Age: 86
Born: 1938
Born: January 1
Actor
Film Actor
Stage Actor
Television Actor
Voice Actor
Bayonne
New Jersey
Something
Pot
Survive
Blood
Food
Help
Whatever
Helping
Dracula
Needs
Liquor

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The last few years have been pretty hectic.
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I have a good friend who says, We're all just dodging bullets. It seems to me the trick to living a good life is to try to move away from the gun you turn on yourself.
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If you're lucky as you get older, you respect the craft and it becomes a skill.
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I have a list a mile long of faults that sometimes bring me to my knees in self-hatred.
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All of our health is basically genetics.
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I'm hardly disinterested totally in my appearance
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I had to face within myself all the things I didn't do and wasn't while I was wearing my own crown.
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When asked what it takes to succeed in the acting profession, Bette Davis would answer, The courage to be hated.
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And the test for any actor is whether you stay at the table or go away.
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You can only lead by example, and you can only say it might be better for you if. But nobody can do anything until they're ready to do it. So you can sit down with a strong-minded young man of 24, as my son was at a point, and say now listen, this, this, this, and this.
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I will carry on acting as long as I have breath and as long as I have energy and as long as I can remember my lines. Those are the basic things you need to be an actor. I'll never retire unless something happens to me and I can't do it well. If I can't do it well I don't want to see the public to see me wasting away in front of them.
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There are no taboos in bed, and there shouldn't be any taboos in bed.
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The only thing you have then to believe in is your craft.
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At this point in my career, I can stand shoulder to shoulder with an actor my age who has chosen to do really awful things, and he will get a job over me.
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My body of work means nothing to me
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One of the safest places to be in the world is the stage.
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When I closed in King Lear I went into a period of depression for about three weeks, and every actor I've talked to who's ever played a major, major Shakespeare role has done this.
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I just feel that no matter what comes in a career - and mine has been all over the map - you must stay at the table, pick up the cards you're dealt and play them.
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Then, for a hot three or four weeks I wanted to be a concert pianist.
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It's interesting to fantasize having a man sink his teeth into your neck for sustenance, knowing that it isn't going to be terribly painful but rather very exciting
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