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But in order to be the thing you want to be, you have to work like a dog at the thing you love.

Frank Langella

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Frank Langella
Age: 86
Born: 1938
Born: January 1
Actor
Film Actor
Stage Actor
Television Actor
Voice Actor
Bayonne
New Jersey
Order
Thing
Work
Love
Like
Dog

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The best kind of kinky sex is to have kinky sex with your wife or husband, the person you love
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I always choose to do the thing that scares me.
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I will carry on acting as long as I have breath and as long as I have energy and as long as I can remember my lines. Those are the basic things you need to be an actor. I'll never retire unless something happens to me and I can't do it well. If I can't do it well I don't want to see the public to see me wasting away in front of them.
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The last few years have been pretty hectic.
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I just feel that no matter what comes in a career - and mine has been all over the map - you must stay at the table, pick up the cards you're dealt and play them.
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Absolutely. I can produce. I can write. I can direct.
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Each of us needs something - food, liquor, pot, whatever - to help us survive. Dracula needs blood.
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At this point in my career, I can stand shoulder to shoulder with an actor my age who has chosen to do really awful things, and he will get a job over me.
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If you're lucky as you get older, you respect the craft and it becomes a skill.
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All of our health is basically genetics.
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One of the safest places to be in the world is the stage.
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It's my job to try to communicate with as little showiness as possible. I was a really showy actor as a young man.
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I'm hardly disinterested totally in my appearance
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I watch actors destroy themselves by trying to get it right.
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And the test for any actor is whether you stay at the table or go away.
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However, I don't by any means suggest that I'm always playing myself.
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Vampires are sexy to a woman perhaps because the fantasy is similar to that of the man on the white horse sweeping her off to paradise.
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When asked what it takes to succeed in the acting profession, Bette Davis would answer, The courage to be hated.
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When I closed in King Lear I went into a period of depression for about three weeks, and every actor I've talked to who's ever played a major, major Shakespeare role has done this.
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There's a certain secret every actor must have in his work. If you reveal it, you're letting the audience in on the wrinkles and convolutions of your brain. All I want them to do is to see the effect.
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