Quote

If you're serious about being an architect, you've got to learn how to take responsibility. It's not fluff. You have to do every detail on every bloody piece of the building. You have to know how the engineering works. You have to know how the fittings go together. You have to master the mechanical, electrical, acoustical - everything.

Frank Gehry

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Frank Gehry
Age: 95
Born: 1929
Born: February 28
Architect
Designer
Furniture Designer
Sculptor
City of Toronto
Frank Owen Gehry
Frank O. Gehry
Ephraim Owen Goldberg
Frank Goldberg
Frank Owen Goldberg
Responsibility
Engineering
Learn
Architect
Together
Bloody
Acoustical
Everything
Master
Fittings
Take
Piece
Fluff
Every
Works
Electrical
Building
Mechanical
Serious
Detail

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I'm going to design the container and interior spaces. You bring your own stuff to it and make it your own.
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You've got to bumble forward into the unknown.
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One of my unsung heroes is Erich Mendelsohn. I met him when I was a student and he was a cranky old man and very unpleasant. But if you go to his Einstein Tower in Potsdam, Germany you see an enormous intellect at work with a language that was personal and new. It has a sense of urban design and of theater and procession I hadn't seen before.
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What I have learned about museum buildings is that buildings have to have iconic presentations. The position of the art museum vis-a-vis other civic buildings needs to be hierarchal in the community. It has to be equal to the library and the courthouse.
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The fact is I'm an opportunist. I'll take materials around me, materials on my table, and work with them as I'm searching for an idea that works.
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We don't see the banality, but we accept banality. We accept it as inevitable, and it's not.
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There's a drive in us to express ourselves in some way or form. We pick up whatever material is available. It's primitive. Kids see sand on the beach, build something and show their parents: Look what I did, Mama. It's necessary to us.
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My father always told me that I was going to be a failure - I think he was more talking about himself, but I didn't know it at the time.
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I think my best skill as an architect is the achievement of hand-to-eye coordination. I am able to transfer a sketch into a model into the building.
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Chicago's one of the rare places where architecture is more visible.
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It's not new that architecture can profoundly affect a place, sometimes transform it.
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Architecture and any art can transform a person, even save someone. It can for children - for anyone. It still does for me.
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Some cultures tried to stop people from expressing themselves. In Mao's China, for example, the Communists tried to stop individual expression. For them the payoff was a society of equality. The problem of course is that it didn't work.
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Ninety percent of the buildings we live in and around aren't architecture. No, that's not right - 98 percent.
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Erich Mendelsohn's drawings are expressive and beautiful. If he'd had the computers we have now, everything I've done he would have done before me. I would have had to figure out something else.
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Many people put a green button on their collar and feel good, just like a lot of people put an American flag on their lapels and feel patriotic. It's not enough.
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An architect is given a program, budget, place, and schedule. Sometimes the end product rises to art - or at least people call it that.
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The message I hope to have sent is just the example of being yourself. I tell this to my students: It's not about copying me or my logic systems. It's about allowing yourself to be yourself.
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I didn't have any interest in doing rich people's homes. I still don't.
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There is a backlash against me and everyone who has done buildings that have movement and feeling.
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