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The safety requirements, which are necessary, spread everything out and push people farther and farther away from the stage and from each other.
Frank Gehry
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Frank Gehry
Age: 95
Born: 1929
Born: February 28
Architect
Designer
Furniture Designer
Sculptor
City of Toronto
Frank Owen Gehry
Frank O. Gehry
Ephraim Owen Goldberg
Frank Goldberg
Frank Owen Goldberg
Push
Safety
Spread
Necessary
Stage
Away
Everything
Farther
People
Requirements
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I don't know how to overcome this perception that I'm extravagant.
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You have freedom, so you have to make choices - and at the point when I make a choice, the building starts to look like a Frank Gehry building. It's a signature.
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Most of what's around us is banal. We live with it. We accept it as inevitable.
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People ask me if I'm an artist or an architect. But I think they're the same.
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The message I hope to have sent is just the example of being yourself. I tell this to my students: It's not about copying me or my logic systems. It's about allowing yourself to be yourself.
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Your best work is your expression of yourself.
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Architecture is a small piece of this human equation, but for those of us who practice it, we believe in its potential to make a difference, to enlighten and to enrich the human experience, to penetrate the barriers of misunderstandin g and provide a beautiful context for life's drama.
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Architecture should speak of its time and place, but yearn for timelessness.
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People are searching for something they don't have in their lives. There's an unfulfilled need.
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If you're serious about being an architect, you've got to learn how to take responsibility. It's not fluff. You have to do every detail on every bloody piece of the building. You have to know how the engineering works. You have to know how the fittings go together. You have to master the mechanical, electrical, acoustical - everything.
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If you know where it's going, it's not worth doing.
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People live and work in uninspiring environments, but look inside those rooms. Look at the painted walls and the decorations. People rebel even in the most controlled office environment in which they're not allowed to do anything. You see the little bulletin board in front of a person's desk with their photos, clippings, cartoons and whatever else.
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Here we are surrounded by material that's being manufactured in unimaginable quantities worldwide and is used everywhere. I don't like it, no one likes it, and yet it's pervasive. We don't even see it.
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An architect is given a program, budget, place, and schedule. Sometimes the end product rises to art - or at least people call it that.
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