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I'm preprogrammed emotionally and intellectually not to go down blind alleys. I don't waste the time. I automatically edit out whatever's impractical.
Frank Gehry
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Frank Gehry
Age: 95
Born: 1929
Born: February 28
Architect
Designer
Furniture Designer
Sculptor
City of Toronto
Frank Owen Gehry
Frank O. Gehry
Ephraim Owen Goldberg
Frank Goldberg
Frank Owen Goldberg
Whatever
Alleys
Time
Edit
Edits
Intellectually
Automatically
Emotionally
Blind
Waste
Impractical
More quotes by Frank Gehry
I don't know how to overcome this perception that I'm extravagant.
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If I knew where I was going, I wouldn't do it. When I can predict or plan it, I don't do it.
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What I have learned about museum buildings is that buildings have to have iconic presentations. The position of the art museum vis-a-vis other civic buildings needs to be hierarchal in the community. It has to be equal to the library and the courthouse.
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As much as we pretend otherwise, we want what's comfortable, and we're afraid of the different. We're afraid of change.
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I work from the inside out.
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Here we are surrounded by material that's being manufactured in unimaginable quantities worldwide and is used everywhere. I don't like it, no one likes it, and yet it's pervasive. We don't even see it.
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The fact is I'm an opportunist. I'll take materials around me, materials on my table, and work with them as I'm searching for an idea that works.
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Childhood play is nothing more than an expression of our individuality and preparation for human interaction. Everybody’s an artist. Unfortunately we don’t treat them as such.
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Your work may be great and not make its way into the big picture... like Van Gogh... so who's to say what's good and bad?
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I don't know why people hire architects and then tell them what to do.
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You never build the perfect building. Only Allah is perfect. Life is such. You make decisions on conclusions, then some guy invents something else and the world changes. That's comforting. There's no one way to use museums, no one way to do art. That also means there is no one way to build museums.
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I would like to make a building as intellectually driven as it is sculptural and as positive as it would be acceptable to hope.
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I don't know whose box I'm in, and I don't really care.
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We live and work in boxes. People don't even notice that.
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I don't micromanage the interiors. People ask me to and I say no. I don't want to control everything.
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My father always told me that I was going to be a failure - I think he was more talking about himself, but I didn't know it at the time.
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In Tokyo, London or Los Angeles people go into McDonald's and the restaurants are identical and people are comfortable. It's unthreatening.
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Not every person has the same kinds of talents, so you discover what yours are and work with them.
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Architecture and any art can transform a person, even save someone. It can for children - for anyone. It still does for me.
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