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The architect Borromini's Quattro Fontane, a little church in Rome, is one of the most beautiful rooms in history.
Frank Gehry
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Frank Gehry
Age: 95
Born: 1929
Born: February 28
Architect
Designer
Furniture Designer
Sculptor
City of Toronto
Frank Owen Gehry
Frank O. Gehry
Ephraim Owen Goldberg
Frank Goldberg
Frank Owen Goldberg
Rome
Rooms
Church
History
Beautiful
Littles
Little
Architect
More quotes by Frank Gehry
If you know where it's going, it's not worth doing.
Frank Gehry
We deny our nature to build and create and then wonder why there is so much alienation and dissatisfaction.
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People are searching for something they don't have in their lives. There's an unfulfilled need.
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You can look anywhere and find inspiration.
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If the room is friendly to a relationship between lecturer and audience, you feel everything - the tension, the appreciation. I think the audience feels it too.
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In an ideal world, pressure should come from below and from the top.
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One of my greatest influences is the Italian artist Gian Lorenzo Bernini.
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Not every person has the same kinds of talents, so you discover what yours are and work with them.
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When people condemn me for designing iconic buildings in cities and not having an idea what a city is, they haven't done their homework. I started in urban design and city planning. It's just that when I got out of school there wasn't much of a market for that. There still isn't.
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We live and work in boxes. People don't even notice that.
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In the art world Robert Rauschenberg had been combining common materials that people thought was art and beautiful, and it was. If he could do that, I could emulate him.
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Your work may be great and not make its way into the big picture... like Van Gogh... so who's to say what's good and bad?
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Computers allow architects to remain parental instead of being marginalized by the contractors and managers.
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The idealism [in architecture] is in the formal arrangement, the relationship to the city, the use of materials that are available to me. That's where I say our powers are limited.
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I am obsessed with architecture. It is true, I am restless, trying to find myself as an architect, and how best to contribute in this world filled with contradiction, disparity, and inequality, even passion and opportunity.
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The best advice I've received is to be yourself. The best artists do that.
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You have to be optimistic. I still have doubts and conflicts, but the bottom line is, I believe in the future.
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Most of what's around us is banal. We live with it. We accept it as inevitable.
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With computers we can work everything out from the beginning.
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Here we are surrounded by material that's being manufactured in unimaginable quantities worldwide and is used everywhere. I don't like it, no one likes it, and yet it's pervasive. We don't even see it.
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