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We don't see the banality, but we accept banality. We accept it as inevitable, and it's not.

Frank Gehry

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Frank Gehry
Age: 95
Born: 1929
Born: February 28
Architect
Designer
Furniture Designer
Sculptor
City of Toronto
Frank Owen Gehry
Frank O. Gehry
Ephraim Owen Goldberg
Frank Goldberg
Frank Owen Goldberg
Banality
Inevitable
Accept
Accepting

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We deny our nature to build and create and then wonder why there is so much alienation and dissatisfaction.
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Art is about people. I think the discussion about whether architecture is art or not is lamebrain.
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The culture of France is unique because it's a culture that has a high priority on the arts, more than any other place in the world in our time since Greece. So as a practicing artist, if you will, this is home ground. They love us, so music, literature, art continues to be the center.
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My father probably - he had flashes of creativity - he used to do store windows for fruit stores that he worked in and stuff.
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It's not new that architecture can profoundly affect a place, sometimes transform it.
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If you know where it's going, it's not worth doing.
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People ask me if I'm an artist or an architect. But I think they're the same.
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We live and work in boxes. People don't even notice that. Most of what's around us is banal. We live with it. We accept it as inevitable. People say, This is the world the way it is, and don't bother me.
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Many people put a green button on their collar and feel good, just like a lot of people put an American flag on their lapels and feel patriotic. It's not enough.I'm not dismissing it.
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Your best work is your expression of yourself.
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I can't just decide myself what's being built. Someone decides what they want, then I work for them.
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It should begin much earlier with arts education in the American school system, which is sadly deficient.
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The whole can be greater than the sum of it's parts, that we all have something to put in the pie to make it better, and that the collaborative interaction works.
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My father was an urchin that lived in Hell's Kitchen. He was part of a family of nine. I mean, there were times that were better and worse, but mostly, by the time we got to L.A., they'd lost whatever they had. And it was a sad time. And both he and I became truck drivers for different companies.
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Some cultures tried to stop people from expressing themselves. In Mao's China, for example, the Communists tried to stop individual expression. For them the payoff was a society of equality. The problem of course is that it didn't work.
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Many people put a green button on their collar and feel good, just like a lot of people put an American flag on their lapels and feel patriotic. It's not enough.
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When you agree to collaborate, you agree to jump off a cliff holding hands with everyone, hoping the resourcefulness of each will insure that you all land on your feet.
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The idealism [in architecture] is in the formal arrangement, the relationship to the city, the use of materials that are available to me. That's where I say our powers are limited.
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Ninety percent of the buildings we live in and around aren't architecture. No, that's not right - 98 percent.
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People live and work in uninspiring environments, but look inside those rooms. Look at the painted walls and the decorations. People rebel even in the most controlled office environment in which they're not allowed to do anything. You see the little bulletin board in front of a person's desk with their photos, clippings, cartoons and whatever else.
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