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We don't see the banality, but we accept banality. We accept it as inevitable, and it's not.

Frank Gehry

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Frank Gehry
Age: 95
Born: 1929
Born: February 28
Architect
Designer
Furniture Designer
Sculptor
City of Toronto
Frank Owen Gehry
Frank O. Gehry
Ephraim Owen Goldberg
Frank Goldberg
Frank Owen Goldberg
Banality
Inevitable
Accept
Accepting

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We deny our nature to build and create and then wonder why there is so much alienation and dissatisfaction.
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For me, every day is a new thing. I approach each project with a new insecurity, almost like the first project I ever did. And I get the sweats. I go in and start working, I'm not sure where I'm going. If I knew where I was going I wouldn't do it.
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I'm preprogrammed emotionally and intellectually not to go down blind alleys. I don't waste the time. I automatically edit out whatever's impractical.
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There is a backlash against me and everyone who has done buildings that have movement and feeling.
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I found myself starting architecture with a deep social, Jewish, liberal conscience, and the belief that architecture is for the people. It was a do-gooder base I was born and raised that way. I was for blacks, whites, Italians, Poles, whatever.
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We live and work in boxes. People don't even notice that.
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You never build the perfect building. Only Allah is perfect. Life is such. You make decisions on conclusions, then some guy invents something else and the world changes. That's comforting. There's no one way to use museums, no one way to do art. That also means there is no one way to build museums.
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People live and work in uninspiring environments, but look inside those rooms. Look at the painted walls and the decorations. People rebel even in the most controlled office environment in which they're not allowed to do anything. You see the little bulletin board in front of a person's desk with their photos, clippings, cartoons and whatever else.
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Time is just a blur for me. I don't know what - I don't even know where I am sometimes.
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With computers we can work everything out from the beginning.
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Architecture is a small piece of this human equation, but for those of us who practice it, we believe in its potential to make a difference, to enlighten and to enrich the human experience, to penetrate the barriers of misunderstandin g and provide a beautiful context for life's drama.
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People ask me if I'm an artist or an architect. But I think they're the same.
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My father always told me that I was going to be a failure - I think he was more talking about himself, but I didn't know it at the time.
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Your work may be great and not make its way into the big picture... like Van Gogh... so who's to say what's good and bad?
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When people condemn me for designing iconic buildings in cities and not having an idea what a city is, they haven't done their homework. I started in urban design and city planning. It's just that when I got out of school there wasn't much of a market for that. There still isn't.
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You can look anywhere and find inspiration.
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There are a great many things about architecture that are hidden from the untrained eye.
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I didn't have any interest in doing rich people's homes. I still don't.
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China is building cities for a 20 to 40 percent increase in population. India is quickly growing. The carbon footprints of that and other development around the world are overwhelming.
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In an ideal world, pressure should come from below and from the top.
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