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Most of what's around us is banal. We live with it. We accept it as inevitable.
Frank Gehry
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Frank Gehry
Age: 95
Born: 1929
Born: February 28
Architect
Designer
Furniture Designer
Sculptor
City of Toronto
Frank Owen Gehry
Frank O. Gehry
Ephraim Owen Goldberg
Frank Goldberg
Frank Owen Goldberg
Banal
Inevitable
Accept
Accepting
Around
Live
More quotes by Frank Gehry
Ninety percent of the buildings we live in and around aren't architecture. No, that's not right - 98 percent.
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That's what you have to find in architecture. You have to find your signature. When you find it, you're the only expert on it. People can say they like it or don't like it. They can argue about it, but it's yours.
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We're physiologically wired differently.
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If you're serious about being an architect, you've got to learn how to take responsibility. It's not fluff. You have to do every detail on every bloody piece of the building. You have to know how the engineering works. You have to know how the fittings go together. You have to master the mechanical, electrical, acoustical - everything.
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I didn't have any interest in doing rich people's homes. I still don't.
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People ask me if I'm an artist or an architect. But I think they're the same.
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Democracy is a problem and we don't want to get rid of it.
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We deny our nature to build and create and then wonder why there is so much alienation and dissatisfaction.
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Your best work is your expression of yourself. Now, you may not be the greatest at it, but when you do it, you're the only expert.
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In an ideal world, pressure should come from below and from the top.
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If you know where it's going, it's not worth doing.
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I don't know why people hire architects and then tell them what to do.
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The back of Saint Peter's is one of the finest pieces of architecture I've ever seen.
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A well-designed home has to be very comfortable. I can't stand the aesthetes, the minimal thing. I can't live that way. My home has to be filled with stuff - mostly paintings, sculpture, my fish lamps, cardboard furniture, lots of books.
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The fact is I'm an opportunist. I'll take materials around me, materials on my table, and work with them as I'm searching for an idea that works.
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One of my unsung heroes is Erich Mendelsohn. I met him when I was a student and he was a cranky old man and very unpleasant. But if you go to his Einstein Tower in Potsdam, Germany you see an enormous intellect at work with a language that was personal and new. It has a sense of urban design and of theater and procession I hadn't seen before.
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We don't see the banality, but we accept banality. We accept it as inevitable, and it's not.
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The culture of France is unique because it's a culture that has a high priority on the arts, more than any other place in the world in our time since Greece. So as a practicing artist, if you will, this is home ground. They love us, so music, literature, art continues to be the center.
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I don't know how to overcome this perception that I'm extravagant.
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You can look anywhere and find inspiration.
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