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The idealism [in architecture] is in the formal arrangement, the relationship to the city, the use of materials that are available to me. That's where I say our powers are limited.
Frank Gehry
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Frank Gehry
Age: 95
Born: 1929
Born: February 28
Architect
Designer
Furniture Designer
Sculptor
City of Toronto
Frank Owen Gehry
Frank O. Gehry
Ephraim Owen Goldberg
Frank Goldberg
Frank Owen Goldberg
City
Idealism
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Arrangements
Cities
Formal
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Limited
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Architecture
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Materials
Arrangement
More quotes by Frank Gehry
I don't micromanage the interiors. People ask me to and I say no. I don't want to control everything.
Frank Gehry
There is an order to our environment, a broader order.
Frank Gehry
I'm going to design the container and interior spaces. You bring your own stuff to it and make it your own.
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I don't know why people hire architects and then tell them what to do.
Frank Gehry
Each project, I suffer like I'm starting over again in life. There's a lot of healthy insecurity that fuels this stuff.
Frank Gehry
One of my greatest influences is the Italian artist Gian Lorenzo Bernini.
Frank Gehry
I am obsessed with architecture. It is true, I am restless, trying to find myself as an architect, and how best to contribute in this world filled with contradiction, disparity, and inequality, even passion and opportunity.
Frank Gehry
Architecture is a small piece of this human equation, but for those of us who practice it, we believe in its potential to make a difference, to enlighten and to enrich the human experience, to penetrate the barriers of misunderstandin g and provide a beautiful context for life's drama.
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Art is about people. I think the discussion about whether architecture is art or not is lamebrain.
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The culture of France is unique because it's a culture that has a high priority on the arts, more than any other place in the world in our time since Greece. So as a practicing artist, if you will, this is home ground. They love us, so music, literature, art continues to be the center.
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Childhood play is nothing more than an expression of our individuality and preparation for human interaction. Everybody’s an artist. Unfortunately we don’t treat them as such.
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For me, every day is a new thing. I approach each project with a new insecurity, almost like the first project I ever did. And I get the sweats. I go in and start working, I'm not sure where I'm going. If I knew where I was going I wouldn't do it.
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When you agree to collaborate, you agree to jump off a cliff holding hands with everyone, hoping the resourcefulness of each will insure that you all land on your feet.
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We live and work in boxes. People don't even notice that.
Frank Gehry
My father always told me that I was going to be a failure - I think he was more talking about himself, but I didn't know it at the time.
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The present is filled with flotsam and irony and chaos and disorder in all arenas, political and sociological. I think we have to work in the present even if it's awkward, even if it's not necessarily good, even if we don't understand it ourselves. You only find out 10, maybe 20 years later what was going on.
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There's a drive in us to express ourselves in some way or form. We pick up whatever material is available. It's primitive. Kids see sand on the beach, build something and show their parents: Look what I did, Mama. It's necessary to us.
Frank Gehry
Just because you are an architect and make decent buildings does not mean that you can suddenly become a set designer for one of the best avant-garde dancers in the world.
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Not every person has the same kinds of talents, so you discover what yours are and work with them.
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As much as we pretend otherwise, we want what's comfortable, and we're afraid of the different. We're afraid of change.
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