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If you know where it's going, it's not worth doing.

Frank Gehry

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Frank Gehry
Age: 95
Born: 1929
Born: February 28
Architect
Designer
Furniture Designer
Sculptor
City of Toronto
Frank Owen Gehry
Frank O. Gehry
Ephraim Owen Goldberg
Frank Goldberg
Frank Owen Goldberg
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Going

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Chicago's one of the rare places where architecture is more visible.
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My father probably - he had flashes of creativity - he used to do store windows for fruit stores that he worked in and stuff.
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My father was an urchin that lived in Hell's Kitchen. He was part of a family of nine. I mean, there were times that were better and worse, but mostly, by the time we got to L.A., they'd lost whatever they had. And it was a sad time. And both he and I became truck drivers for different companies.
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We deny our nature to build and create and then wonder why there is so much alienation and dissatisfaction.
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I used to sketch - that's the way I thought out loud. Then they made a book of my sketches, and I got self-conscious, so now I don't do it much.
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China is building cities for a 20 to 40 percent increase in population. India is quickly growing. The carbon footprints of that and other development around the world are overwhelming.
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People are searching for something they don't have in their lives. There's an unfulfilled need.
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Ninety percent of the buildings we live in and around aren't architecture. No, that's not right - 98 percent.
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We live and work in boxes. People don't even notice that.
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When you agree to collaborate, you agree to jump off a cliff holding hands with everyone, hoping the resourcefulness of each will insure that you all land on your feet.
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Anybody I talk to agrees that maybe 2 percent of the building environment since the war, we could call architecture.
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The fact is I'm an opportunist. I'll take materials around me, materials on my table, and work with them as I'm searching for an idea that works.
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There are people who design buildings that are not technically and financially good, and there are those who do. Two categories - simple.
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Everyone has a desire, if not a need, to use their individual signatures. Whenever people meet to talk about a project, even stuffy old businessmen, they say they want to create something new.
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You can't ignore history you can't escape it even if you want to. You might as well know where you come from, and you might as well know that everything has been done in some shape or form.
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As much as we pretend otherwise, we want what's comfortable, and we're afraid of the different. We're afraid of change.
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Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city.
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Childhood play is nothing more than an expression of our individuality and preparation for human interaction. Everybody’s an artist. Unfortunately we don’t treat them as such.
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Most of what's around us is banal. We live with it. We accept it as inevitable.
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Some cultures tried to stop people from expressing themselves. In Mao's China, for example, the Communists tried to stop individual expression. For them the payoff was a society of equality. The problem of course is that it didn't work.
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