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Not every person has the same kinds of talents, so you discover what yours are and work with them.
Frank Gehry
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Frank Gehry
Age: 95
Born: 1929
Born: February 28
Architect
Designer
Furniture Designer
Sculptor
City of Toronto
Frank Owen Gehry
Frank O. Gehry
Ephraim Owen Goldberg
Frank Goldberg
Frank Owen Goldberg
Work
Every
Kind
Talents
Discover
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Persons
Person
More quotes by Frank Gehry
You have freedom, so you have to make choices - and at the point when I make a choice, the building starts to look like a Frank Gehry building. It's a signature.
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We live and work in boxes. People don't even notice that.
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The architect Borromini's Quattro Fontane, a little church in Rome, is one of the most beautiful rooms in history.
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The safety requirements, which are necessary, spread everything out and push people farther and farther away from the stage and from each other.
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I love working. I don't know what the word vacation means.
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There are people who design buildings that are not technically and financially good, and there are those who do. Two categories - simple.
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That's what you have to find in architecture. You have to find your signature. When you find it, you're the only expert on it. People can say they like it or don't like it. They can argue about it, but it's yours.
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Picasso could use everyone's paintings and transform them into his own. He was using ideas from all of his contemporaries.
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People ask me if I'm an artist or an architect. But I think they're the same.
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Time is just a blur for me. I don't know what - I don't even know where I am sometimes.
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Computers allow architects to remain parental instead of being marginalized by the contractors and managers.
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My father probably - he had flashes of creativity - he used to do store windows for fruit stores that he worked in and stuff.
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Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city.
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Your work may be great and not make its way into the big picture... like Van Gogh... so who's to say what's good and bad?
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I'm of two minds about doing any interviews these days. It seems a lot of the world is out to play gotcha with me. I guess they always go after people these days. It's sport.
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Architecture is a small piece of this human equation, but for those of us who practice it, we believe in its potential to make a difference, to enlighten and to enrich the human experience, to penetrate the barriers of misunderstandin g and provide a beautiful context for life's drama.
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Everything - design and technology and materials - has changed since the World Trade Center was built. A lot of it has to do with computers, which allow us to be far more efficient as well as structurally sound.
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You never build the perfect building. Only Allah is perfect. Life is such. You make decisions on conclusions, then some guy invents something else and the world changes. That's comforting. There's no one way to use museums, no one way to do art. That also means there is no one way to build museums.
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My father always told me that I was going to be a failure - I think he was more talking about himself, but I didn't know it at the time.
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Artists dismiss me as an architect, so I'm not in their box, and architects dismiss me as an artist, so I'm not in their box.
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