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My father probably - he had flashes of creativity - he used to do store windows for fruit stores that he worked in and stuff.
Frank Gehry
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Frank Gehry
Age: 95
Born: 1929
Born: February 28
Architect
Designer
Furniture Designer
Sculptor
City of Toronto
Frank Owen Gehry
Frank O. Gehry
Ephraim Owen Goldberg
Frank Goldberg
Frank Owen Goldberg
Creativity
Flashes
Probably
Windows
Father
Flash
Stuff
Store
Used
Stores
Fruit
Window
Worked
More quotes by Frank Gehry
Here we are surrounded by material that's being manufactured in unimaginable quantities worldwide and is used everywhere. I don't like it, no one likes it, and yet it's pervasive. We don't even see it.
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I'm going to design the container and interior spaces. You bring your own stuff to it and make it your own.
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We live and work in boxes. People don't even notice that. Most of what's around us is banal. We live with it. We accept it as inevitable. People say, This is the world the way it is, and don't bother me.
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We live and work in boxes. People don't even notice that.
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I'm preprogrammed emotionally and intellectually not to go down blind alleys. I don't waste the time. I automatically edit out whatever's impractical.
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Architecture and any art can transform a person, even save someone. It can for children - for anyone. It still does for me.
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Your work may be great and not make its way into the big picture... like Van Gogh... so who's to say what's good and bad?
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One of my greatest influences is the Italian artist Gian Lorenzo Bernini.
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Look, architecture has a lot of places to hide behind, a lot of excuses. The client made me do this. The city made me do this. Oh, the budget. I don't believe that anymore.
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It's not new that architecture can profoundly affect a place, sometimes transform it.
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When you agree to collaborate, you agree to jump off a cliff holding hands with everyone, hoping the resourcefulness of each will insure that you all land on your feet.
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Computers allow architects to remain parental instead of being marginalized by the contractors and managers.
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The architect Borromini's Quattro Fontane, a little church in Rome, is one of the most beautiful rooms in history.
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I am obsessed with architecture. It is true, I am restless, trying to find myself as an architect, and how best to contribute in this world filled with contradiction, disparity, and inequality, even passion and opportunity.
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Democracy is a problem and we don't want to get rid of it.
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People live and work in uninspiring environments, but look inside those rooms. Look at the painted walls and the decorations. People rebel even in the most controlled office environment in which they're not allowed to do anything. You see the little bulletin board in front of a person's desk with their photos, clippings, cartoons and whatever else.
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I think my best skill as an architect is the achievement of hand-to-eye coordination. I am able to transfer a sketch into a model into the building.
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Everyone has a desire, if not a need, to use their individual signatures. Whenever people meet to talk about a project, even stuffy old businessmen, they say they want to create something new.
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The safety requirements, which are necessary, spread everything out and push people farther and farther away from the stage and from each other.
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You have freedom, so you have to make choices - and at the point when I make a choice, the building starts to look like a Frank Gehry building. It's a signature.
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