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I don't know how to overcome this perception that I'm extravagant.

Frank Gehry

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Frank Gehry
Age: 95
Born: 1929
Born: February 28
Architect
Designer
Furniture Designer
Sculptor
City of Toronto
Frank Owen Gehry
Frank O. Gehry
Ephraim Owen Goldberg
Frank Goldberg
Frank Owen Goldberg
Extravagant
Overcome
Overcoming
Perception

More quotes by Frank Gehry

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The architect Borromini's Quattro Fontane, a little church in Rome, is one of the most beautiful rooms in history.
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Just because you are an architect and make decent buildings does not mean that you can suddenly become a set designer for one of the best avant-garde dancers in the world.
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The culture of France is unique because it's a culture that has a high priority on the arts, more than any other place in the world in our time since Greece. So as a practicing artist, if you will, this is home ground. They love us, so music, literature, art continues to be the center.
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There's a drive in us to express ourselves in some way or form. We pick up whatever material is available. It's primitive. Kids see sand on the beach, build something and show their parents: Look what I did, Mama. It's necessary to us.
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Look, architecture has a lot of places to hide behind, a lot of excuses. The client made me do this. The city made me do this. Oh, the budget. I don't believe that anymore.
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Computers allow architects to remain parental instead of being marginalized by the contractors and managers.
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In an ideal world, pressure should come from below and from the top.
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When people condemn me for designing iconic buildings in cities and not having an idea what a city is, they haven't done their homework. I started in urban design and city planning. It's just that when I got out of school there wasn't much of a market for that. There still isn't.
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People are searching for something they don't have in their lives. There's an unfulfilled need.
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Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city.
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I can't just decide myself what's being built. Someone decides what they want, then I work for them.
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I love working. I don't know what the word vacation means.
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I'm going to design the container and interior spaces. You bring your own stuff to it and make it your own.
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It should begin much earlier with arts education in the American school system, which is sadly deficient.
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Picasso could use everyone's paintings and transform them into his own. He was using ideas from all of his contemporaries.
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The safety requirements, which are necessary, spread everything out and push people farther and farther away from the stage and from each other.
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The idealism [in architecture] is in the formal arrangement, the relationship to the city, the use of materials that are available to me. That's where I say our powers are limited.
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Ninety percent of the buildings we live in and around aren't architecture. No, that's not right - 98 percent.
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You have freedom, so you have to make choices - and at the point when I make a choice, the building starts to look like a Frank Gehry building. It's a signature.
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The message I hope to have sent is just the example of being yourself. I tell this to my students: It's not about copying me or my logic systems. It's about allowing yourself to be yourself.
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