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My mom. She was quite a character. Open-minded. It was a very small town, and she started her own business, manufacturing children's wear. She was very dynamic. Her death was like the umbilical cord being cut. That's when I moved to America.

Francisco Costa

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Francisco Costa
Age: 60
Born: 1964
Born: May 10
Designer
Fashion Designer
Minas Gerais state
Quite
Dynamic
Like
Open
Minded
Small
Town
Business
Mom
Death
Wear
America
Moved
Umbilical
Cutting
Cord
Character
Started
Manufacturing
Children

More quotes by Francisco Costa

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I don't love reading so much, but I love book shopping. It's just because I don't have much time.
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Milan, for me, is a city of discovery. You can find some amazing gardens behind some great houses I also love finding beautiful galleries and incredible shops, but you have to explore. And the food is amazing.
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I came to New York when I was 21, 22. I couldn't speak English. I knew I wanted to go to fashion school.
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I have no tolerance for boredom. I spend so many hours in the office, and I still love it.
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Being sexy is not about what's on show, it's all about suggestion, or insinuation. I'm interested in the way a garment hangs on a woman's body and the way it moves when she moves.
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I hope the average woman feels she needs practicality but with a little bit of fantasy. Otherwise it's just not fashion.
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I just hate people who are lazy. To be on my team, you have to have energy and a sense of wanting to learn. That really excites me.
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I like cold. I really like to go to cold towns. I love gray. I love winter.
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My love of fashion stemmed from my mother's passion for it.
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I get so much inspiration from my travels, but I also started an exercise where I write down so many words every week. Then I begin crossing them off. We create a grid of words and also images, but words for me are more ample because you can interpret them your own way.
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My parents had a factory, so I was linked to the textile and fashion industry.
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I cannot live without art: it excites me, it challenges me, and it leads me to the next thing.
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I do go back to Brazil once a year. I miss my family.
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I came to New York in 1986. My father didn't think it was a good idea. I didn't know how I found it, but I went to Hunter College. I had no money and I couldn't speak English.
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I only do what I do. For me, it is a craft. It's got to be my own thing - otherwise, I would never be successful. I could easily go to the archives and pull 1987 or 1991 collection by Calvin Klein. But when you look in there, you realize that it was never about one piece. It was about the collections as bodies of work.
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I don't listen to music when designing. We create in silence. I go through a torturous process because everything has to be precise and right.
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I hate to sound esoteric, but there is something about a house that leads you to that one chair, that one corner, where you just sit and feel comfortable.
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People don't really go to museums in Rio. I shouldn't say it's not sophisticated, but, you know, they go to the beach.
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Mid-'80s in New York was fantastic. I remember my first Gay Pride parade in the city. Where I grew up was very sheltered, so when I got to the city, there was this freedom and so much happening. At the same time, there was this pressure of AIDS and everything else. New York is so different today.
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I wanted to be involved with fashion, though I didn't know what being a designer meant.
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