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So much of the art of film is to do less. To aspire to do less.

Francis Ford Coppola

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Francis Ford Coppola
Age: 85
Born: 1939
Born: April 7
Actor
Composer
Executive Producer
Film Director
Film Editor
Film Producer
Screenwriter
Winegrower
Writer
Detroit
Michigan
Aspire
Less
Art
Film
Much

More quotes by Francis Ford Coppola

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I think cinema, movies, and magic have always been closely associated. The very earliest people who made film were magicians.
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Work on nothing less than epic scale
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I never went to a psychologist or psychiatrist in my life. Never. You know, Italians are a little prejudiced against that kind of thing.
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I have more of a vivid imagination than I have talent. I cook up ideas. It's just a characteristic.
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Time is the lens through which dreams are captured.
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I'm very proud of my flops, as much as of my successes.
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My family were symphonic musicians and in the opera. Also, it was my era, the love of radio. We used to listen to the radio at night, close our eyes and see movies far more beautiful than you can photograph.
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I believe that filmmaking - as, probably, is everything - is a game you should play with all your cards, and all your dice, and whatever else you've got. So, each time I make a movie, I give it everything I have. I think everyone should, and I think everyone should do everything they do that way.
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The great hope is that people who wouldn't normally make films will be making them. Suddenly, one day some little fat girl in Ohio is going to be the new Mozart and make a beautiful film with her father's camera and for once the so called professionalism about movies will be destroyed forever - and it will really become an art form.
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I had a heartbreaking experience when I was 9. I always wanted to be a guard. The most wonderful girl in the world was a guard. When I got polio and then went back to school, they made me a guard. A teacher took away my guard button.
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I thought I wanted to be a playwright because I was interested in stories and telling stories.
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Most filmmakers can't afford to try something out that doesn't work.
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You don't have to specialize - do everything that you love and then, at some time, the future will come together for you in some form.
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It's ironic that at age 32, at probably the greatest moment of my career, with The Godfather having such an enormous success, I wasn't even aware of it, because I was somewhere else under the deadline again.
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Collaboration is like the sex of creativity.
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I wanted to be a film student again, as a man in my 60s. To go someplace alone and see what you can cook up, with non-existent budgets. I didn't want to be surrounded by comforts and colleagues, which you have when when you're a big time director. I wanted to write personal works.
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When you make a film it is like asking yourself a question. When it is finished, you know the answer. Ultimately with all of cinema, we are just trying to learn about ourselves. I have always used the opportunity to make a film to learn more about myself, which I am still doing.
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I was a pretty shy, lonely kid. I blossomed about age 17, when I went to college.
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I had been a kid that moved so much, I didn’t have a lot of friends. Theater really represented that kind of camaraderie.
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When that happens - when risk is taken and the filmmakers dive into the subject matter without a parachute - very often what you get it something with those qualities that make it age well with the public.
Francis Ford Coppola