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We were raised in an Italian-American household, although we didn't speak Italian in the house. We were very proud of being Italian, and had Italian music, ate Italian food.

Francis Ford Coppola

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Francis Ford Coppola
Age: 85
Born: 1939
Born: April 7
Actor
Composer
Executive Producer
Film Director
Film Editor
Film Producer
Screenwriter
Winegrower
Writer
Detroit
Michigan
American
Speak
House
Household
Didn
Italian
Music
Although
Raised
Proud
Food

More quotes by Francis Ford Coppola

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In kindergarten that used to be my job, to tell them fairytales. I liked Hans Christian Andersen, and the Grimm fairy tales, all the classic fairy tales.
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I had an older brother who was very interested in literature, so I had an early exposure to literature, and and theater. My father sometimes would work in musical comedies.
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Wine is so much more than a beverage. It's a romance, a story, a drama-all of those things that are basically putting on a show.
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I wanted to be a film student again, as a man in my 60s. To go someplace alone and see what you can cook up, with non-existent budgets. I didn't want to be surrounded by comforts and colleagues, which you have when when you're a big time director. I wanted to write personal works.
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I believe that filmmaking - as, probably, is everything - is a game you should play with all your cards, and all your dice, and whatever else you've got. So, each time I make a movie, I give it everything I have. I think everyone should, and I think everyone should do everything they do that way.
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To make great movies, there is an element of risk. You have to say, 'Well, I am going to make this film, and it is not really a sure thing.'
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It was the man's dream, and his inspiring attempt to make them come true that remain important.
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They needed someone to write a script of The Great Gatsby very quickly for the movie they were making. I took this job so I'd be sure to have some dough to support my family.
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Most filmmakers can't afford to try something out that doesn't work.
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I gladly, I voluntarily gave up the kind of commercial film career I had going as soon as I had enough money to finance my own films.
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When I was sixteen or seventeen, I wanted to be a writer. I wanted to be a playwright. But everything I wrote, I thought, was weak. And I can remember falling asleep in tears because I had no talent the way I wanted to have.
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I just admire people like Woody Allen, who every year writes an original screenplay. It's astonishing. I always wished that I could do that.
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The things you get fired for when you’re young are the same things that you get lifetime achievement awards for when you’re old.
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If you're not allowed to experiment anymore for fear of being considered self-indulgent or pretentious or what have you, then everyone's going to just stick to the rules - there's not going to be any additional ideas.
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My film isn't about Vietnam. It is Vietnam. It's what it was really like. It was crazy. And the way we made it was very much like the way the Americans were in Vietnam. We were in the jungle, there were too many of us, we had access to too much money, too much equipment and little by little we went insane.
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Anything you build on a large scale or with intense passion invites chaos.
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A number of images put together a certain way become something quite above and beyond what any of them are individually.
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If the movie works, nobody notices the mistakes... If the movie doesn't work, the only thing people notice are mistakes.
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There can't be art without risk. It's like saying No Sex, and then expecting there to be children.
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Collaboration is like the sex of creativity.
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