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In kindergarten that used to be my job, to tell them fairytales. I liked Hans Christian Andersen, and the Grimm fairy tales, all the classic fairy tales.

Francis Ford Coppola

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Francis Ford Coppola
Age: 85
Born: 1939
Born: April 7
Actor
Composer
Executive Producer
Film Director
Film Editor
Film Producer
Screenwriter
Winegrower
Writer
Detroit
Michigan
Tell
Grimm
Used
Kindergarten
Fairy
Classic
Tales
Liked
Christian
Andersen
Jobs
Hans

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The whole reason one wants to do lower budget films is because the lower the budget, the bigger the ideas, the bigger the themes, the more interesting the art.
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The internet in hotels should be free - and I really resent it when they charge you five dollars for a bottle of water beside your bed.
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The great hope is that people who wouldn't normally make films will be making them. Suddenly, one day some little fat girl in Ohio is going to be the new Mozart and make a beautiful film with her father's camera and for once the so called professionalism about movies will be destroyed forever - and it will really become an art form.
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So much of the art of film is to do less. To aspire to do less.
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They needed someone to write a script of The Great Gatsby very quickly for the movie they were making. I took this job so I'd be sure to have some dough to support my family.
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A director is the ringmaster of a circus that's inventing itself.
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I realized I probably wouldn't make another film that cuts through commercial and creative things like 'Godfather' or 'Apocalypse.'
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I was a pretty shy, lonely kid. I blossomed about age 17, when I went to college.
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Music is a big factor in helping the illusion of the film come to life. The same way music brings back different periods of our lives.
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'Godfather' was very classical, the way it was shot, the style, the whole driving force of it was more classical, almost Shakespearean.
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When that happens - when risk is taken and the filmmakers dive into the subject matter without a parachute - very often what you get it something with those qualities that make it age well with the public.
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Listen, if there's one sure-fire rule that I have learned in this business, it's that I don't know anything about human nature.
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If the movie works, nobody notices the mistakes... If the movie doesn't work, the only thing people notice are mistakes.
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I was excited to discover, in this tale by Eliade, the key themes that I most hope to understand better - time, consciousness and the dream-like basis of reality.
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If I have to be remembered for something, I want it remembered that I really liked children and was a good camp counselor.
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I was never sloppy with other people's money. Only my own. Because I figure, well, you can be.
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I had been a kid that moved so much, I didn’t have a lot of friends. Theater really represented that kind of camaraderie.
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I've been failing for, like, ten or eleven years. When it turns, it'll turn. Right now I'm just trying to squeeze through a very tight financial period, get the movie out, and put my things in order.
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I've been offered lots of movies. There's always some actor who's doing a project and would like to have me do it. But you look at the project and think, 'Gee, there are a lot of good directors who could do that.' I'd like to do something only I can do.
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To make great movies, there is an element of risk. You have to say, 'Well, I am going to make this film, and it is not really a sure thing.'
Francis Ford Coppola