Quote

I have much to learn from my daughter Sofia. Her minimalism exposes my limitations: I'm too instinctive and operatic, I put too much heart into my work, I get lost sometimes in bizarre things - it's my Italian heritage.

Francis Ford Coppola

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Francis Ford Coppola
Age: 85
Born: 1939
Born: April 7
Actor
Composer
Executive Producer
Film Director
Film Editor
Film Producer
Screenwriter
Winegrower
Writer
Detroit
Michigan
Much
Italian
Sofia
Things
Limitation
Operatic
Daughter
Exposes
Learn
Minimalism
Lost
Instinctive
Sometimes
Bizarre
Heart
Limitations
Work
Heritage

More quotes by Francis Ford Coppola

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I've been offered lots of movies. There's always some actor who's doing a project and would like to have me do it.
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To make great movies, there is an element of risk. You have to say, 'Well, I am going to make this film, and it is not really a sure thing.'
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I'm no longer dependent on the movie business to make a living. So if I want to make movies as other old guys would play golf, I can.
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The essence of cinema is editing.
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The essence of cinema is editing. It's the combination of what can be extraordinary images of people during emotional moments, or images in a general sense, put together in a kind of alchemy.
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A number of images put together a certain way become something quite above and beyond what any of them are individually.
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I've been blessed with enough wealth that I can make a film myself up to a certain budget. So one way I thought I would reinvent myself was just to make these very small, personal films that I've financed myself.
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The professional world was much more unpleasant than I thought. I was always wishing I could get back that enthusiasm I had when I was doing shows at college.
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When a movie is about to come out on its initial debut, there are a lot of people involved - the financiers, the studio and the producers and also, many times, the foreign distributors. So it is a time of tremendous pressure and uncertainty.
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Sequels are not done for the audience or cinema or the filmmakers. It's for the distributor. The film becomes a brand.
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Without a doubt, I was born to want to make cinema, but the kind of cinema I want to make is not like commercial movies, which I enjoy myself, but I wanted to be the kind of filmmaker who wrote original work, sort of like a novelist would who deals with who we are and our times or our relationships.
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I became quite successful very young, and it was mainly because I was so enthusiastic and I just worked so hard at it.
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Time is the lens through which dreams are captured.
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Wine is so much more than a beverage. It's a romance, a story, a drama-all of those things that are basically putting on a show.
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I was never sloppy with other people's money. Only my own. Because I figure, well, you can be.
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In a sense, I think a movie is really a little like a question and when you make it, that's when you get the answer.
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Ten Days That Shook The World, by Eisenstein, I went to see it, and I was so impressed with this film, so impressed with what cinema could do.
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You have to really be courageous about your instincts and your ideas. Otherwise you'll just knuckle under, and things that might have been memorable will be lost.
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I still think Ned Beatty should've played Don Corleone.
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