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I had an older brother who was very interested in literature, so I had an early exposure to literature, and and theater. My father sometimes would work in musical comedies.

Francis Ford Coppola

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Francis Ford Coppola
Age: 85
Born: 1939
Born: April 7
Actor
Composer
Executive Producer
Film Director
Film Editor
Film Producer
Screenwriter
Winegrower
Writer
Detroit
Michigan
Literature
Exposure
Father
Musical
Sometimes
Older
Work
Theater
Would
Early
Interested
Brother
Comedy
Comedies

More quotes by Francis Ford Coppola

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When you make a film it is like asking yourself a question. When it is finished, you know the answer. Ultimately with all of cinema, we are just trying to learn about ourselves. I have always used the opportunity to make a film to learn more about myself, which I am still doing.
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So much of the art of film is to do less. To aspire to do less.
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I was never sloppy with other people's money. Only my own. Because I figure, well, you can be.
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In a sense, I think a movie is really a little like a question and when you make it, that's when you get the answer.
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I still think Ned Beatty should've played Don Corleone.
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I had been a kid that moved so much, I didn’t have a lot of friends. Theater really represented that kind of camaraderie.
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You have to really be courageous about your instincts and your ideas. Otherwise you'll just knuckle under, and things that might have been memorable will be lost.
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Work on nothing less than epic scale
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I'm no longer dependent on the movie business to make a living. So if I want to make movies as other old guys would play golf, I can.
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I'm very proud of my flops, as much as of my successes.
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I gladly, I voluntarily gave up the kind of commercial film career I had going as soon as I had enough money to finance my own films. I didn't make that money necessarily from the film business, but I eventually made a lot of money and that's what I do. Of course, I consider myself unbelievably fortunate, and I'm pretty content with my life.
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Wine is so much more than a beverage. It's a romance, a story, a drama-all of those things that are basically putting on a show.
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I landed a job with Roger Corman. The job was to write the English dialogue for a Russian science fiction picture. I didn't speak any Russian. He didn't care whether I could understand what they were saying he wanted me to make up dialogue.
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I never went to a psychologist or psychiatrist in my life. Never. You know, Italians are a little prejudiced against that kind of thing.
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The photographer and the director are where reality and fantasy meet.
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I was excited to discover, in this tale by Eliade, the key themes that I most hope to understand better - time, consciousness and the dream-like basis of reality.
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Art depends on luck and talent.
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If you're not allowed to experiment anymore for fear of being considered self-indulgent or pretentious or what have you, then everyone's going to just stick to the rules - there's not going to be any additional ideas.
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You're in a profession in which absolutely everybody is telling you their opinion, which is different. That's one of the reasons George Lucas never directed again.
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Time is the lens through which dreams are captured.
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