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I had a heartbreaking experience when I was 9. I always wanted to be a guard. The most wonderful girl in the world was a guard. When I got polio and then went back to school, they made me a guard. A teacher took away my guard button.

Francis Ford Coppola

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Francis Ford Coppola
Age: 85
Born: 1939
Born: April 7
Actor
Composer
Executive Producer
Film Director
Film Editor
Film Producer
Screenwriter
Winegrower
Writer
Detroit
Michigan
Made
Went
Always
Wonderful
Polio
World
Girl
Heartbreaking
Experience
Button
Away
Buttons
School
Guard
Back
Took
Wanted
Teacher

More quotes by Francis Ford Coppola

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I think it's better to be overly ambitious and fail than to be underambitious and succeed in a mundane way. I have been very fortunate. I failed upward in my life!
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I probably have genius. But no talent.
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It's ironic that at age 32, at probably the greatest moment of my career, with The Godfather having such an enormous success, I wasn't even aware of it, because I was somewhere else under the deadline again.
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So much of the art of film is to do less. To aspire to do less.
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I don't think there's any artist of any value who doesn't doubt what they're doing.
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A director is the ringmaster of a circus that's inventing itself.
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We were raised in an Italian-American household, although we didn't speak Italian in the house. We were very proud of being Italian, and had Italian music, ate Italian food.
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The essence of cinema is editing.
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Listen, if there's one sure-fire rule that I have learned in this business, it's that I don't know anything about human nature.
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I've been blessed with enough wealth that I can make a film myself up to a certain budget. So one way I thought I would reinvent myself was just to make these very small, personal films that I've financed myself.
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Wine is so much more than a beverage. It's a romance, a story, a drama-all of those things that are basically putting on a show.
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Today's winemakers still worry about quality.
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I landed a job with Roger Corman. The job was to write the English dialogue for a Russian science fiction picture. I didn't speak any Russian. He didn't care whether I could understand what they were saying he wanted me to make up dialogue.
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We had access to too much equipment, too much money, and little by little we went insane.
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I've been offered lots of movies. There's always some actor who's doing a project and would like to have me do it.
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Ten Days That Shook The World, by Eisenstein, I went to see it, and I was so impressed with this film, so impressed with what cinema could do.
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Sequels are not done for the audience or cinema or the filmmakers. It's for the distributor. The film becomes a brand.
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I realized I probably wouldn't make another film that cuts through commercial and creative things like 'Godfather' or 'Apocalypse.'
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When that happens - when risk is taken and the filmmakers dive into the subject matter without a parachute - very often what you get it something with those qualities that make it age well with the public.
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It was the man's dream, and his inspiring attempt to make them come true that remain important.
Francis Ford Coppola