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I had been a kid that moved so much, I didn’t have a lot of friends. Theater really represented that kind of camaraderie.

Francis Ford Coppola

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Francis Ford Coppola
Age: 85
Born: 1939
Born: April 7
Actor
Composer
Executive Producer
Film Director
Film Editor
Film Producer
Screenwriter
Winegrower
Writer
Detroit
Michigan
Really
Represented
Moved
Theater
Friends
Didn
Kids
Much
Kind
Camaraderie

More quotes by Francis Ford Coppola

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We had access to too much equipment, too much money, and little by little we went insane.
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Time is the lens through which dreams are captured.
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If I have to be remembered for something, I want it remembered that I really liked children and was a good camp counselor.
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The essence of cinema is editing.
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Listen, if there's one sure-fire rule that I have learned in this business, it's that I don't know anything about human nature.
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You're in a profession in which absolutely everybody is telling you their opinion, which is different. That's one of the reasons George Lucas never directed again.
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I was excited to discover, in this tale by Eliade, the key themes that I most hope to understand better - time, consciousness and the dream-like basis of reality.
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Sequels are not done for the audience or cinema or the filmmakers. It's for the distributor. The film becomes a brand.
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The photographer and the director are where reality and fantasy meet.
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I've been offered lots of movies. There's always some actor who's doing a project and would like to have me do it.
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When I was 13, I worked for Western Union. When the telegrams came in, I would glue them on the paper and deliver them on my bicycle.
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I wanted to write and direct movies and not be forced to adapt them from a bestselling book.
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I think it's better to be overly ambitious and fail than to be underambitious and succeed in a mundane way. I have been very fortunate. I failed upward in my life!
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When a movie is about to come out on its initial debut, there are a lot of people involved - the financiers, the studio and the producers and also, many times, the foreign distributors. So it is a time of tremendous pressure and uncertainty.
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I have much to learn from my daughter Sofia. Her minimalism exposes my limitations: I'm too instinctive and operatic, I put too much heart into my work, I get lost sometimes in bizarre things - it's my Italian heritage.
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Roger Corman exploited all of the young people who worked for him, but he really gave you responsibility and opportunity. So it was kind of a fair deal.
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Without a doubt, I was born to want to make cinema, but the kind of cinema I want to make is not like commercial movies, which I enjoy myself, but I wanted to be the kind of filmmaker who wrote original work, sort of like a novelist would who deals with who we are and our times or our relationships.
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I was terrible at maths, but I could grasp science, and I used to love to read about the lives of the scientists. I wanted to be a scientist or an inventor.
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I've been failing for, like, ten or eleven years. When it turns, it'll turn. Right now I'm just trying to squeeze through a very tight financial period, get the movie out, and put my things in order.
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I had an older brother who was very interested in literature, so I had an early exposure to literature, and and theater. My father sometimes would work in musical comedies.
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