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We had access to too much equipment, too much money, and little by little we went insane.

Francis Ford Coppola

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Francis Ford Coppola
Age: 85
Born: 1939
Born: April 7
Actor
Composer
Executive Producer
Film Director
Film Editor
Film Producer
Screenwriter
Winegrower
Writer
Detroit
Michigan
Much
Equipment
Insane
Access
Went
Money
Littles
Little

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I realized I probably wouldn't make another film that cuts through commercial and creative things like 'Godfather' or 'Apocalypse.'
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I think cinema, movies, and magic have always been closely associated. The very earliest people who made film were magicians.
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My family were symphonic musicians and in the opera. Also, it was my era, the love of radio. We used to listen to the radio at night, close our eyes and see movies far more beautiful than you can photograph.
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It's ironic that at age 32, at probably the greatest moment of my career, with The Godfather having such an enormous success, I wasn't even aware of it, because I was somewhere else under the deadline again.
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I was excited to discover, in this tale by Eliade, the key themes that I most hope to understand better - time, consciousness and the dream-like basis of reality.
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Music is a big factor in helping the illusion of the film come to life. The same way music brings back different periods of our lives.
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Always make your work be personal. And, you never have to lie... There is something we know that's connected with beauty and truth. There is something ancient. We know that art is about beauty, and therefore it has to be about truth.
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I'm very proud of my flops, as much as of my successes.
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Sequels are not done for the audience or cinema or the filmmakers. It's for the distributor. The film becomes a brand.
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The things you get fired for when you’re young are the same things that you get lifetime achievement awards for when you’re old.
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You don't have to specialize - do everything that you love and then, at some time, the future will come together for you in some form.
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When you make a film it is like asking yourself a question. When it is finished, you know the answer. Ultimately with all of cinema, we are just trying to learn about ourselves. I have always used the opportunity to make a film to learn more about myself, which I am still doing.
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When a movie is about to come out on its initial debut, there are a lot of people involved - the financiers, the studio and the producers and also, many times, the foreign distributors. So it is a time of tremendous pressure and uncertainty.
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To make great movies, there is an element of risk. You have to say, 'Well, I am going to make this film, and it is not really a sure thing.'
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In a sense, I think a movie is really a little like a question and when you make it, that's when you get the answer.
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Usually, the stuff that's your best idea or work is going to be attacked the most.
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It was the man's dream, and his inspiring attempt to make them come true that remain important.
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The photographer and the director are where reality and fantasy meet.
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Listen, if there's one sure-fire rule that I have learned in this business, it's that I don't know anything about human nature.
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I've been offered lots of movies. There's always some actor who's doing a project and would like to have me do it. But you look at the project and think, 'Gee, there are a lot of good directors who could do that.' I'd like to do something only I can do.
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