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And dilettantism is a humorous way to survive. Everybody understands you for it and everybody hates you for it. And not everybody chooses to be a dilettante. Many choose cunning and brute force.

Francesco Clemente

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Francesco Clemente
Age: 72
Born: 1952
Born: March 23
Artist
Illustrator
Painter
Pastellist
Photographer
Napoli
Way
Understands
Dilettantism
Humorous
Dilettante
Survive
Dilettantes
Choose
Brute
Everybody
Brutes
Force
Chooses
Hate
Hates
Many
Cunning

More quotes by Francesco Clemente

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In my head I am in one of those Buddhist caves where you see a thousand Buddha faces on the wall. In my head I am on my seventeen-year-old acid trip, when I saw my personas fall one minute after another, as if I was dying every moment.
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We are not naturally intelligent, or happy. In fact, every day it is harder to remain intelligent. It seems often that people get intelligent through pain, but you can't be sure because nobody really can say, I've been suffering.
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Maybe poets express more directly a sense of sympathy for other human beings. Painting is a little bit more of a retreat from human beings in real life painting is more about the extreme moments when speech doesn't help anymore.
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To me the poets are closer than I am to the idea of voice, to a sort of primeval song that we all participate in.
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There's poetry in the world. Poetry doesn't belong just to the poets. You know, you can look at the most premeditated, cold blooded movie and find poetry in it.
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I'm at the age where I don't need an acid trip to feel naked... to feel that I don't exist. Now a self-portrait is almost a reminder to me that I do exist.
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If you want to compete in Italy, the only accepted ways are brute force, or cunning. Like Machiavelli says, Fronte otra forze. And neither of these two virtues is suited to an artist. The artist has to stay intelligent.
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When you sit for an hour and a half in front of somebody, he or she shows about twenty faces. And so it's this crazy chase of, Which face? Which one is the one?
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Fashion is the pursuit of perfection, Style is the acceptance of one's flaws.
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My portraits are half what I see and the other half is invented or dictated by the person and the painting.
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In India and in New York the economy is naked. People are starving physically in India, and emotionally in New York.
Francesco Clemente