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I've done quite a lot of improv work before, and I wanted to do this film [The Invisible Woman] because it felt like a different technique. We were very true to the lines, and there was something quite formal and almost theatrical about it.

Felicity Jones

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Felicity Jones
Age: 41
Born: 1983
Born: October 17
Actor
Actress
Child Actor
Executive Producer
Film Actor
Voice Actor
Birmingham
West Midlands
Felicity Rose Hadley Jones
Wanted
Invisible
Done
Quite
Different
Lines
Work
Almost
Something
Woman
Improv
Like
Felt
Theatrical
True
Formal
Film
Technique

More quotes by Felicity Jones

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I like Nelly's [Ternan] quiet inner strength. I thought there was something about her predicament that I found interesting - that she didn't want to be a floozy mistress, a bit on the side, that she had more self-respect than that.
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I always had a very strong sense of independence.
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I always hope for roles that have some depth and that I can get my teeth into and that will challenge me, in some way.
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I'm small. I'm petite. But I'm a bit of a fighter inside. In my work I fight for, I hope, showing women in a true way. They've got brains.
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Now we live in a time where the public and the private are completely fused and there isn't such a great distinction. We know our private lives are constantly made public. With Facebook and Twitter there isn't such a desire, it feels, to keep things private.
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I think that when something happens when you're growing up, like a death or divorce, it does open the world slightly because things aren't as straightforward.
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I couldn't do what I do without my friends and family.
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What's amazing about the show [Girls] - the first (season) is about the girls and then the second (season) is about the boys as well. There's something so human about it.
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I do sort of appreciate Nelly's [Ternan] view that it would be woman who would suffer mostly from that - who would be ostracized. The rigid societal conventions meant that it was difficult to live outside of them.
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The key is working with great directors. A film is so many different people and all their talents, but particularly the directors, because of the idiosyncrasies of that person.
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We live in a time where it's more surprising if people are actually together than if they're having affairs.
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I want to be paid fairly for the work that I'm doing. That's what every single woman around the world wants.
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It was lucky that Ralph [Fiennes] is someone who understands both film and theater and we were able to understand that scene so well before we took it to the set.
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Women want to be paid on parity with a man in a similar position.
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I'm not a huge jewelry fan.
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It was amazing how much rehearsal helped with the performance - it was almost a theatrical approach to filmmaking.
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Fashion choices are never arbitrary. Even if you say you don't care, that's a decision. There's something you're trying to say.
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I like to keep pushing myself and trying things out. I get easily bored, so I need a challenge.
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I always wear the shoes of the character a week before going on set the idea of just putting on a new pair of shoes on the first day of filming is just horrific.
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I've done a lot of very low-budget indie films, so it was just really exciting and fun to be doing a film where there's a lot more time and these huge, vast sets. I was like a kid in a playground. It was amazing!
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